by Benjamin Hall ‧ RELEASE DATE: March 14, 2023
Not for the fainthearted, but a bracing tale of life on the edge of death.
A Fox News war reporter writes of his hellish and near-fatal experiences in the field.
During his career, Hall has gone “wherever civilization was collapsing under the assault of factions and ideologies—to Aleppo in Syria, Mosul in Iraq, Kabul in Afghanistan, Mogadishu in Somalia—always maneuvering as close to the front lines as I could,” constantly confronted by the “brutal reality of war.” Working as a war correspondent in Ukraine, he suffered serious injuries from a Russian bomb that killed two of his colleagues. Hall is nothing if not thoughtful: His meditations on the events of his life preceding that terrible moment are always about the well-being of others, especially vis-à-vis his work. Should he record the moment as a fighter dies? Does he take sides? It seems clear that in the case of Russia’s Ukrainian incursion, his sympathies lie with the invaded, even though “it was not my job to tell people how I felt. It was my job to give viewers the news they needed to know, and to convey how the Ukrainians felt about what was happening. By then I had learned how to squirrel my emotions safely away in my pocket.” The author’s story centers largely on his struggle to regain health and capabilities after having suffered what medical personnel call polytrauma as well as significant burns. He was airlifted for treatment at U.S. military hospitals and rehabilitation centers while being accorded the unusual kindnesses of strangers. These included a Special Forces soldier who offered him gummy bears on his gurney high above the Atlantic and the medical staff who worked around the clock to save his life and as much of his body as they could. It makes for an affecting, singular story.
Not for the fainthearted, but a bracing tale of life on the edge of death.Pub Date: March 14, 2023
ISBN: 9780063309661
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 17, 2023
Kirkus Reviews Issue: March 15, 2023
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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