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SAVED

A WAR REPORTER’S MISSION TO MAKE IT HOME

Not for the fainthearted, but a bracing tale of life on the edge of death.

A Fox News war reporter writes of his hellish and near-fatal experiences in the field.

During his career, Hall has gone “wherever civilization was collapsing under the assault of factions and ideologies—to Aleppo in Syria, Mosul in Iraq, Kabul in Afghanistan, Mogadishu in Somalia—always maneuvering as close to the front lines as I could,” constantly confronted by the “brutal reality of war.” Working as a war correspondent in Ukraine, he suffered serious injuries from a Russian bomb that killed two of his colleagues. Hall is nothing if not thoughtful: His meditations on the events of his life preceding that terrible moment are always about the well-being of others, especially vis-à-vis his work. Should he record the moment as a fighter dies? Does he take sides? It seems clear that in the case of Russia’s Ukrainian incursion, his sympathies lie with the invaded, even though “it was not my job to tell people how I felt. It was my job to give viewers the news they needed to know, and to convey how the Ukrainians felt about what was happening. By then I had learned how to squirrel my emotions safely away in my pocket.” The author’s story centers largely on his struggle to regain health and capabilities after having suffered what medical personnel call polytrauma as well as significant burns. He was airlifted for treatment at U.S. military hospitals and rehabilitation centers while being accorded the unusual kindnesses of strangers. These included a Special Forces soldier who offered him gummy bears on his gurney high above the Atlantic and the medical staff who worked around the clock to save his life and as much of his body as they could. It makes for an affecting, singular story.

Not for the fainthearted, but a bracing tale of life on the edge of death.

Pub Date: March 14, 2023

ISBN: 9780063309661

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 17, 2023

Kirkus Reviews Issue: March 15, 2023

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WHEN WE SEE YOU AGAIN

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

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Remembering “Hershy.”

Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Pub Date: April 21, 2026

ISBN: 9798217198009

Page Count: 288

Publisher: Random House

Review Posted Online: April 21, 2026

Kirkus Reviews Issue: June 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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