by Benjamin Percy ‧ RELEASE DATE: Oct. 15, 2019
Like modern Grimm fairy tales, the stories in this volume are cautionary and haunting.
Percy’s (The Dark Net, 2017, etc.) story collection explores a natural world, tired of being misunderstood and threatened by humans, that is finally threatening back.
The humans in these tales are beaten down by the financial collapse, the threat of disease, the mind-numbing routines of their lives; and the wilderness, kept at bay for so long by our construction and our expansion and our money, has begun to creep in at the edges, swallowing those who are lost and stretching, hungry, toward the center of our world. In “Heart of a Bear,” a bear begins to assimilate to human life only to face tragedy and loss that drive him back to the wild. In “Writs of Possession,” an unfinished luxury subdivision becomes the playground for wild animals as the human inhabitants are evicted one by one. There are small offerings of hope: the suggestion that a pair of trespassing children would have been welcomed, fed, and adopted by a homeowner in "Writs of Possession," for instance, or the ending of “The Balloon,” where, in the midst of a deadly pandemic, two misfits may find solace in each other. For the most part, though, these stories echo with paranoia and loss; there is, Percy suggests, a hollow, empty core beneath the trappings of our modern lives. As he describes a main character in “The Uncharted”: “His friends call him a warrior poet. They have misinterpreted his emptiness for depth.” Despite the loneliness and violence of these tales, however, there is icy beauty in Percy’s language, even as he describes depression: “We take Xanax. We take Lorazapam. We take Prozac and Paxil and Zoloft. Dozens of little moons dissolve inside us and make our brains deaden and our hearts fizz. Sometimes we are so sad we do not move.” This beauty redeems the vision of darkness that he offers—held out before us, these words suggest that there is still something worth saving in our broken human existence.
Like modern Grimm fairy tales, the stories in this volume are cautionary and haunting.Pub Date: Oct. 15, 2019
ISBN: 978-1-64445-006-2
Page Count: 208
Publisher: Graywolf
Review Posted Online: Aug. 3, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Brad Thor ‧ RELEASE DATE: Jan. 1, 2001
Screenplay prose.
Debut thriller from the host of PBS’s Traveling Lite proves its own title. The sole survivor of a ski-slope nabbing of the US president, Secret Service Agent Scot Harvath is America’s latest cookie-cutter superspy to be vaulted into international intrigue by terrorism. All evidence points to the Mideast’s largest terrorist organization, but Harvath’s not fooled—he knows that Middle East groups “are not tacticians. . . . Essentially, they’re cowards. They don’t do in-your-face operations.” “Call it an ingrained bigotry,” but Harvath just knows that a Mideast terrorist group could not pull off a scam of this magnitude. Turns out he’s right—it was the Swiss. Aided by a pair of conniving senators and a squirrelly vice president, a crack Swiss commando unit has snatched President Potus and stuffed him away inside a mountain. When Harvath’s investigation starts to get warm, he’s framed—and won’t be able to clear his name unless he can free the president. Oh, yes, there’s also a Swiss agent named Claudia who’s hot and knows how to handle a 9mm SIG-Sauer 229 semiautomatic. Thor’s tangled writing often interferes with the plot-drenching: “The uncomfortable hog tie position in which he was restrained threatened to drive him insane”; “He lay in a trance like state in the warm void half-way between sleeping and waking until his mind began to assemble different explanations for what he was hearing and he felt himself being forcibly dragged upward toward the surface world of the wakeful.”
Screenplay prose.Pub Date: Jan. 1, 2001
ISBN: 0-7434-3673-3
Page Count: 464
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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by Haruki Murakami ‧ RELEASE DATE: March 31, 1993
A seamless melding of Japanese cultural nuances with universal themes—in a virtuoso story collection from rising literary star Murakami (A Wild Sheep Chase, 1989; Hard-boiled Wonderland and the End of the World, 1991). These 15 pieces, some of which have appeared in The New Yorker and Playboy, are narrated by different characters who nonetheless share similar sensibilities and attitudes. At home within their own urban culture, they happily pick and choose from Western cultural artifacts as varied as Mozart tapes, spaghetti dinners, and Ralph Lauren polo shirts in a terrain not so much surreal as subtly out of kilter, and haunted by the big questions of death, courage, and love. In the title story, the narrator—who does p.r. for a kitchen-appliance maker and who feels that "things around [him] have lost their balance," that a "pragmatic approach" helps avoid complicated problems—is troubled by the inexplicable disappearance of a local elephant and his keeper. In another notable story, "Sleep," a young mother, unable to sleep, begins to question not only her marriage and her affection for her child, but death itself, which may mean "being eternally awake and staring into darkness." Stories like "TV People," in which a man's apartment is taken over by TV characters who "look as if they were reduced by photocopy, everything mechanically calibrated"; "Barn Burning," in which a man confesses to burning barns (it helps him keep his sense of moral balance); and "The Second Bakery Attack," in which a young married couple rob a McDonald's of 30 Big Macs in order to exorcise the sense of a "weird presence" in their lives—all exemplify Murakami's sense of the fragility of the ordinary world. Remarkable evocations of a postmodernist world, superficially indifferent but transformed by Murakami's talent into a place suffused with a yearning for meaning.
Pub Date: March 31, 1993
ISBN: 0679750533
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
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by Haruki Murakami ; translated by Philip Gabriel
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