Terrifying, entertaining, and thought-provoking.
In this sequel to The Ninth Metal (2021), Percy explores a new effect that develops five years after Earth spun through a debris field left behind by a comet.
Five years ago, during the meteor shower caused by the comet Cain, the sky seemed to fall. Jack Abernathy, a mushroom expert, took his daughter, Mia, into Olympic National Forest early one morning after watching the meteors so he could gather some new specimens. Within hours, Mia went missing without a trace. Now the effects of the meteors—the development of a new element, omnimetal, as well as severe weather and changes in environmental patterns—continue to transform the Earth. In the Northwest, there has been a tremendous drought that's just begun to lift. Jack, now divorced from his wife, Nora, a homicide detective, is struggling to stay motivated in his research and his job when Darla, one of his graduate students, falls ill. Within hours, it becomes clear that whatever contagion has infected her is spreading throughout Seattle. In the years after Covid, no one is eager to establish another quarantine, but Nora is seeing people with symptoms similar to Darla's that seem connected to a disturbing rash of murders with ritualistic overtones. Nora and Jack must come together to investigate the source of this new plague: something that lives, that has its own ability to communicate. Something that may also be the answer to the mystery of Mia’s disappearance. Percy is a master of horror, particularly when it comes to creating a sense of threat generated by nature itself. There’s a spattering of gore, a connection to a psychopathic serial killer, and a secret government agenda to introduce alien matter into human genes—in other words, a little something for everyone, science fiction fans and mystery fans alike.
Terrifying, entertaining, and thought-provoking.Pub Date: Jan. 4, 2022
ISBN: N/A
Page Count: 224
Publisher: Mariner Books
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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