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THE WORLD OF CAFFEINE

THE SCIENCE AND CULTURE OF THE WORLD’S MOST POPULAR DRUG

Well-researched, briskly written, full-bodied, and flavorful. (50 halftones and line drawings)

A savory and spirited cultural history of caffeine, with summaries of pertinent scientific and medical research on the properties and effects of the world’s drug of choice.

Weinberg and Bealer (freelance writers with backgrounds, respectively, in the hard and social sciences) fill their amazing book to the brim with a challenging mix of history, science, medicine, anthropology, sociology, and popular culture, then add a dash of humor, a pinch of polemic, and a dollop of healthful skepticism. Caffeine, a “bitter, highly toxic white powder, readily soluble in boiling water,” was first isolated and named in 1819 by a young German physician. But it had been employed as far back as the middle of the 15th century, when the first coffee was brewed in southern Arabia. By the middle of the 16th century, “coffeehouses [had sprung] up in every major city in Islam”; soon, travelers to the Middle East sampled the drink, enjoyed its effects, and took it back to their own countries. The authors then focus on tea, establishing 220 b.c. as “genuinely the earliest reference” to the beverage and speculating that the Chinese may have learned to brew it from people in northern India or southeast Asia. They trace the other principal dietary source of caffeine, chocolate, to the Mesoamerican Olmecs, who flourished from 1500 to 400 b.c. and first used the cacao bean to make a chocolate drink. Chronicling the spread of these substances to Europe, Weinberg and Bealer note that coffee was often touted for its supposed medicinal properties (“comforts the Brain and dries up Crudities in the Stomach,” claimed one 18th-century publication). In the most engaging portion here, a long section dealing with the culture of caffeine, the authors trace its social role. Wisely, they delay until the final chapters slower-going discussions of the chemistry of caffeine and the immense amount of medical research devoted to it.

Well-researched, briskly written, full-bodied, and flavorful. (50 halftones and line drawings)

Pub Date: Jan. 1, 2001

ISBN: 0-415-92722-6

Page Count: 384

Publisher: Routledge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2000

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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