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THE UNIVERSAL PHYSICS THEORY

A thorough, at times dazzling, display of physics taking on physics, raising many questions as it throws a withering...

Awards & Accolades

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A challenging rebuke to many of the foundation stones of physics.

Launier has many bones to pick with the way in which the science of physics is conducted, most notably its disassociation with simple logic and commonsense, and he tackles them with vigor. “Physics is about elucidating the mechanics of our materialistic environment; but unfortunately, in too many instances, it is deceived by mysticism, vanity, and/or blind idolism.” The idea espoused in his book rests upon the principle that a physical equation must accurately describe how a physical event unfolds, without the inconsistencies and incongruities that pepper the field. In that sense, and as a card-carrying skeptic, Launier makes you do that most elementally gratifying thing—stop and think. Take a minute—well, at 700 densely composed pages, a few minutes—and run a test or two. Watch closely as he displays how Young’s classical kinetic energy equation founders when run in conjunction with the conservation of energy law, using the same figures and parameters. Observe how he shrewdly delineates his quarrels with relativity theory. Launier is happy to give credit where it is due—Newton’s corollary 1 vector theory works for him, corollary 2 doesn’t; he appreciates Feynman’s work regarding interactions between elementary particles and their carrier bosons. And he is bold, but practical, with his own constructs: “Einstein’s idea, that the transfer of energy always involves a proportional transfer of mass, is illusory. If there is an increase in energy, it involves a proportional increase in mass and/or a proportional increase in velocity.” He moves steadily forward, starting with energy, on through time, forces, gravity, light; pointing to where scientific orthodoxy caused the fudging of experiments; tendering corrections where he has been able, freely admitting when he is flummoxed.

A thorough, at times dazzling, display of physics taking on physics, raising many questions as it throws a withering spotlight on old favorites.

Pub Date: March 11, 2011

ISBN: 978-1456560201

Page Count: 702

Publisher: CreateSpace

Review Posted Online: May 5, 2011

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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