Gripping historical adventure, not for the faint of heart.
Series hero Richard Sharpe fights in Britain’s 1813 invasion of southern France.
Major Sharpe is a fictional rifleman who has risen from the ranks and gained the respect of his commanding generals, even when he disobeys them. A brutal and intelligent fighter, he is an expert at “slaughtering Crapauds.” Indeed, his clothes and boots come from dead French soldiers. To cross into France from Portugal, British engineers must construct a pontoon bridge across the River Nive without alerting the enemy, and Sharpe is ordered to eliminate the picquets, or sentries, on the other side—and “get to the guns and butcher the bastards.” Lord Wellington also brings in the British Navy, building up to the climactic clash that becomes known as the Battle of Saint-Pierre, said to be one of the most brutal of the war. And Sharpe is in the thick of the maelstrom, hacking away with gusto at the blue-coated columns even while one of the two British commanders orders his troops to retreat. That is Sir Nathaniel Peacock, a real historical lieutenant colonel described as a mountebank, a popinjay, and a poltroon. He is the antithesis of men who rise by merit, and his cowardice could lead to defeat by the forces of French Marshal Soult. But there is a lot to be afraid of, with thousands of men meeting their maker in mists of blood and screaming for their mothers. And Major Richard Sharpe? He is in his element, doing “the one thing he knew he was good at.” In fact, he dreads the prospect of eventual peace and a return to civilian life with his wife, Jane, having no skills that won’t land him in prison or the gallows. But he needn’t worry about peace any time soon, because Waterloo awaits. This 24th Sharpe yarn captures a down-and-dirty view of the Napoleonic Wars.
Gripping historical adventure, not for the faint of heart.Pub Date: Dec. 2, 2025
ISBN: 9780063219434
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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