An enjoyable experiment that almost works.
Three new stories about Uhtred, protagonist of Cornwell’s Last Kingdom series, each preceded by historical background material and followed by recipes.
Uhtred of Bebbanburg looks back as an old man on some of his adventures in the ninth century as Englaland went through its “long and brutal” coalescence into the kingdom of England. At age 8, Uhtred is already hearing his father tell him he is useless if he cannot fight. But the wee lad must also trap eels from the local creek, because his father loves to eat them. When the child is ambushed and robbed of his catch by other children, he must fight his enemy with a wooden sword. The stories are light on plot, serving mostly as vehicles to show what people ate. Cornwell and his collaborator, Suzanne Pollak, who crafted the recipes based on Anglo-Saxon fare, clearly enjoyed themselves researching and writing this unusual hybrid of history, fiction, and cookbook. Pork chops with apples sounds tasty, but do you really, really want a two-page recipe for eel pie? Or for fermented shredded turnip? The historical background chapters offer plenty of interesting nuggets; for example, the fact that people generally drank ale because it was safer than water. Few characters other than Uhtred get much development, but his pungent narration offers plenty of meat. By the time of his reminiscences, he has long since become a confirmed pagan, but he recalls that as a boy he was “scared into a belief in the nailed god because [he] knew no better.” Asked at one point if King Alfred should be declared a saint, he sardonically replies that “as a young man Alfred went through the kitchen maids like a hot seax through butter! He even had a bastard son by one of them”—Uhtred himself. The concept of showing what people ate a thousand years ago is appealing, but adding detailed recipes (for example, “Preheat the oven to 220ºC/425ºF/gas 7” to roast fennel just right) would seem to limit the book’s audience drastically. The stories themselves need to be more eventful and provide greater challenges for Uhtred; the historical background would work better if it were woven into the fiction rather than unloaded in stand-alone sections. That said, Cornwell’s prose is a pleasure to read, and the food facts are fun.
An enjoyable experiment that almost works.Pub Date: Nov. 14, 2023
ISBN: 9780063219366
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 30, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
