Swords, shields, mud and blood. Great stuff, as always, from the master.
Cornwell’s tough medieval saga continues after King Alfred’s realm is reduced to one swamp and a handful of believers.
Uhtred of Begganburg, Northumbrian narrator of Cornwell’s series opener, The Last Kingdom (2005), returns to court from his triumph at the battle of Cynuit to find that his rightful glory has been usurped by his weasely nemesis, Odda the Younger. Pious King Alfred is always ready to believe the worst of the pagan Uhtred, who should have skipped rest and recovery at home with beautiful wife Mildrith—now a serious whiner—and gone straight to His Majesty to take credit for the death of the Danish warrior Ubba. Too late. The bad career move puts Uhtred way outside the sanctimonious Saxon power circle, to the disappointment of the increasingly religious Mildrith. Just as he is about to perish from boredom on his farm, Uhtred’s old pal Leofric reappears, and the two chums hatch a plan to go plundering in the West, disguised as Vikings. On their excellent adventure, the two score copious loot and Uhtred rescues beautiful Celtic queen Iseult, who is also a bit of a witch. The loot comes in handy when Uhtred wants to settle Mildrith’s family debt to the rapacious church, but the only way he can square things with Alfred is by winning a battle with Steapa, a stupendously strong, extra-large warrior. In the middle of the contest, Vikings spring a surprise attack and the Saxons are badly beaten. The king and his family flee, taking refuge in a bog inhabited by gloomy fishermen loyal to no one. A little magic and a formidable battle begin to reverse the bad fortune.
Swords, shields, mud and blood. Great stuff, as always, from the master.Pub Date: Jan. 3, 2006
ISBN: 0-06-078712-0
Page Count: 368
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2005
In between the more hysterical moments, Brooks writes quite beautifully. But Year of Wonders was a mistake.
Painstaking re-creation of 17th-century England, swallowed by over-the-top melodramatics: a wildly uneven first novel by an Australian-born journalist.
The Year of the title is 1665: the date of the devastating bubonic epidemic chronicled in Daniel Defoe’s A Journal of the Plague Year. Brooks’s tale, framed by reveries set a year and a half after the plague burns itself out (in “Leaf-Fall, 1666”), is narrated by Anna Frith, an earnest and highly intelligent young widow who buries her own multiple bereavements (first her gentle husband, later their two small sons) in work, aiding her (unnamed) village rector’s wife in treating the sick with medicinal herbs and traditional cures. Brooks is at her best in lyrical, precise descriptions of country landscapes and village customs, and makes something very appealing and (initially) quite credible out of Anna’s wary hunger for learning and innate charitable kindness. But the novel goes awry when the panic of contagion isolates her village from neighboring hamlets, a forthright young woman and her distracted aunt are accused of witchcraft and hunted down, and Anna’s drunken, violent father, who profits as a gravedigger for hire, resorts to providing corpses that will require his services. The excesses continue, as Anna’s stepmother, crazed with grief, seeks vengeance against rector Michael Mompellion and his saintly wife (and Anna’s mentor and soulmate) Elinor, and rise to a feverish pitch when Anna, having found a new innocent victim to nurture and raise, offends the powerful Bradford family and must flee to safety—ending up (in a borderline-risible Epilogue) in North Africa in the sanctuary of a kindly “Bey’s” harem. It’s all more than a bit much: Thomas Hardy crossed with Erskine Caldwell, with more than a whiff of Jane Eyre in Anna’s conflicted devotion to the brooding, Mr. Rochester–like Mompellion.
In between the more hysterical moments, Brooks writes quite beautifully. But Year of Wonders was a mistake.Pub Date: Aug. 6, 2001
ISBN: 0-670-91021-X
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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