An enjoyable experiment that almost works.
Three new stories about Uhtred, protagonist of Cornwell’s Last Kingdom series, each preceded by historical background material and followed by recipes.
Uhtred of Bebbanburg looks back as an old man on some of his adventures in the ninth century as Englaland went through its “long and brutal” coalescence into the kingdom of England. At age 8, Uhtred is already hearing his father tell him he is useless if he cannot fight. But the wee lad must also trap eels from the local creek, because his father loves to eat them. When the child is ambushed and robbed of his catch by other children, he must fight his enemy with a wooden sword. The stories are light on plot, serving mostly as vehicles to show what people ate. Cornwell and his collaborator, Suzanne Pollak, who crafted the recipes based on Anglo-Saxon fare, clearly enjoyed themselves researching and writing this unusual hybrid of history, fiction, and cookbook. Pork chops with apples sounds tasty, but do you really, really want a two-page recipe for eel pie? Or for fermented shredded turnip? The historical background chapters offer plenty of interesting nuggets; for example, the fact that people generally drank ale because it was safer than water. Few characters other than Uhtred get much development, but his pungent narration offers plenty of meat. By the time of his reminiscences, he has long since become a confirmed pagan, but he recalls that as a boy he was “scared into a belief in the nailed god because [he] knew no better.” Asked at one point if King Alfred should be declared a saint, he sardonically replies that “as a young man Alfred went through the kitchen maids like a hot seax through butter! He even had a bastard son by one of them”—Uhtred himself. The concept of showing what people ate a thousand years ago is appealing, but adding detailed recipes (for example, “Preheat the oven to 220ºC/425ºF/gas 7” to roast fennel just right) would seem to limit the book’s audience drastically. The stories themselves need to be more eventful and provide greater challenges for Uhtred; the historical background would work better if it were woven into the fiction rather than unloaded in stand-alone sections. That said, Cornwell’s prose is a pleasure to read, and the food facts are fun.
An enjoyable experiment that almost works.Pub Date: Nov. 14, 2023
ISBN: 9780063219366
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 30, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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