TALKING HORSE

BERNARD MALAMUD ON LIFE AND WORK

Sensible reflections on the writer's life from a modest master of postwar fiction. While widely respected and, thanks to the popular success of The Natural (1952), more widely read than many of his contemporaries, the novelist and short-story writer Bernard Malamud (1914-86) has remained a somewhat enigmatic figure. As editors Cheuse (The Light Possessed, 1990. etc.) and Delbanco (In the Name of Mercy, 1995, etc.) explain in their loving commentaries, Malamud was a private man, not known for blowing his own horn. He did, however, produce a significant body of reflections on literature, the craft of writing, and his own experiences, now gathered in this agreeable volume. Malamud's best pieces explore the singularities of his formation. In a lecture at Bennington College in 1984, Malamud recollects his long apprenticeship as a high school teacher and as a professor at Oregon State University. In a Paris Review interview he covers this territory in more discursive fashion, interspersing some subtle yet striking remarks about his works. Having called his novel Pictures of Fidelman "a book about finding a vocation," Malamud wryly asks the reader to "forgive the soft impeachment." But essay-length enjoinders to young writers to "take chances" become extended cliches. Still, cliches can have their virtues, and Malamud's have the not inconsiderable virtue of integrity. This quality shines through when Malamud considers his own life experience, for instance, from the perspective of his relation to his Jewish identity. It shines as well in a pair of addresses, given when Malamud served as president of the PEN American Center, which forcefully make the case for the importance of writing as a humanistic, civilizing endeavor. In such pieces, the quiet moral courage at the heart of Malamud's work, his stubborn devotion to the integrity of an artist's unique, individual vision, are thrown into bold relief, reminding us of how much we miss that humane, modest, intelligent voice.

Pub Date: May 23, 1996

ISBN: 0-231-10184-8

Page Count: 246

Publisher: Columbia Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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