Dated language and slow pacing make a muddle of this tedious title.

MEMOIRS OF A BASQUE COW

A philosophical cow recounts her life and ponders its meaning.

Mo looks back on her long life: her unceremonious birth, dismay at the realization that she’s a cow, humans she befriended or fought, a tumultuous friendship with a fellow cow called La Vache qui Rit, and her dotage with a plucky French nun. Mo’s narration is monopolized by philosophical conversations with The Pest, Mo’s inner voice, an all-knowing, formally prissy conscience. Serenity, danger, and cruelty are all present in Mo’s account. The story is translated from Basque, and the author’s preface provides brief historical context about the Spanish Civil War and the anti-fascist Basque rebels who fought against Franco’s dictatorship after the war. Unfortunately, the text fails to explore these sociopolitical issues. It is also a shame that the translator and publisher did not opt to remove problematically dated terms. Mo shares a saying from “a wise oriental,” and the story’s villain is referred to as “a foreigner”; as Mo cannot understand the latter’s (unidentified) language, it is, regrettably, represented throughout with just one nonsensical word: “Karral.” Human characters seem to be default white. The meandering narrative bounces between past and present, with many digressions in between, punctuated by pithy cow sayings. There’s a monotonous lack of urgency between bits of action and the occasional fight scene.

Dated language and slow pacing make a muddle of this tedious title. (Fantasy. 10-14)

Pub Date: June 2, 2020

ISBN: 978-1-912868-01-8

Page Count: 224

Publisher: Dedalus Limited

Review Posted Online: April 8, 2020

Kirkus Reviews Issue: May 1, 2020

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Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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REFUGEE

In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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An uplifting sequel told with heart and humor.

MERCI SUÁREZ CAN'T DANCE

Merci returns for another year of challenges and triumphs at home and at Seaward Pines Academy.

Life is a little different for Merci Suárez in seventh grade. Her older brother, Roli, is off at college; her grandfather Lolo’s Alzheimer’s is more pronounced; and she has to regularly babysit her Tía Inés’ spirited young twins. Merci is also assigned to manage the school store with math whiz Wilson Bellevue, a quiet classmate who she realizes is not obnoxious like other boys. When Merci and Wilson are expected to sell tickets to the Valentine’s Day Heart Ball, she must interact with a slightly-less-mean Edna Santos, who’s running the dance and unexpectedly getting closer to Hannah, one of Merci’s best friends. Medina continues to tenderly explore issues such as multigenerational immigrant family dynamics, managing the responsibilities of home and school, and learning how to navigate changing friendships and first crushes. Merci’s maturity and growth are as engaging and compelling as they were in the author’s Newbery Medal winner, Merci Suárez Changes Gears (2018). The cast is broadly diverse; Merci and her family are Cuban American, Edna is Dominican, and Creole and Cajun Wilson has a physical disability.

An uplifting sequel told with heart and humor. (Fiction. 9-13)

Pub Date: April 6, 2021

ISBN: 978-0-7636-9050-2

Page Count: 384

Publisher: Candlewick

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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An outstanding new edition of this popular modern classic (Newbery Award, 1961), with an introduction by Zena Sutherland and...

ISLAND OF THE BLUE DOLPHINS

Coming soon!!

Pub Date: Oct. 1, 1990

ISBN: 0-395-53680-4

Page Count: -

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 2000

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