The flawed lovechild of Moby-Dick and Eragon.
German writer Perplies’ first novel to be translated to English is set in a world where a vengeance-obsessed captain of a flying ship vows to slay the mammoth dragon that killed his love years earlier.
Essentially a fantasy retelling of Melville's masterpiece, the story revolves around Lian, an 18-year-old who is forced to flee his hometown when he kills one of the thugs who murdered his drunkard of a father. With nowhere else to go, he finds a berth aboard a floating ship that hunts dragons. The ship—which some say is cursed—is captained by Adaron, a tortured man determined to destroy the legendary Gargantuan, an ancient dragon that killed his crew and lover almost two decades earlier. With only his late father’s hunting spear to accompany him, Lian begins an adventure that brings him up into the mythical Cloudmere, a vast ocean of fog where dragons and other strange creatures live and floating islands hold unknown wonders. As Adaron closes in on the Black Leviathan, who is one of “the oldest and greatest dragons of all,” Lian begins a transformative journey of self-discovery that includes a mystical revelation while inside a crystal chamber. His father’s spear is more than it seems—and Lian may be destined for much more than killing dragons. While the worldbuilding is impressive and the pacing brisk throughout, the narrative has several flaws. The budding romance between Lian and another character seems forced and unlikely. Additionally, the novel’s predictable conclusion is a bit of an anticlimax after such a powerful buildup. But the biggest disappointment is in the lack of any thematic depth. The narrative is ripe for existential examination—Adaron’s obsessive quest for vengeance as well as Lian’s coming-of-age—but the story, while entertaining, is told on a superficial level.
The flawed lovechild of Moby-Dick and Eragon.Pub Date: Feb. 25, 2020
ISBN: 978-0-7653-9831-4
Page Count: 336
Publisher: Tor
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
PERSPECTIVES
Shannon’s prose style is serviceable, but her legion of fans will once again be here for the propulsive plot rather than...
Paige Mahoney, the Pale Dreamer of The Bone Season (2013), returns in this second volume of a projected seven-volume fantasy/science-fiction epic.
The novel begins with Paige’s escape to London as she eludes pursuers of all stripes and becomes public enemy No. 1. On the plus side, she’s with a gang of clairvoyants, and her cohort is headed by Jaxon Hall, one of the mime-lords of the title. (Mime-lords and mime-queens are leaders of clairvoyant gangs who form a subgroup within the various cohorts.) London becomes the main setting of the novel, and it assumes various guises, some comforting but most harrowing. Cohorts inhabit spaces that seem vaguely familiar (Covent Garden, Camden Town, Soho) yet remain mysterious and sinister. Readers of the first volume might also remember the emphasis on a specialized and arcane vocabulary applicable to the alternative universe the author creates. The glossary is again a welcome necessity. The prime mover of action here is Paige’s relentless pursuit by Scion, a governmental organization that sees her as a threat to its status and power. Eventually Paige meets up again with Arcturus Mesarthim, her Warden and a Rephaite—a physically immortal being. He has some advice for her—to be wary and to “manipulate [her] mime-lord…as he has spent his life manipulating others”—good advice for a world that is arcane, complex, multilayered and at times almost incomprehensible.
Shannon’s prose style is serviceable, but her legion of fans will once again be here for the propulsive plot rather than lyricism.Pub Date: Jan. 27, 2015
ISBN: 978-1-62040-893-3
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Gwynne’s effort pales in comparison to George R.R. Martin’s gold-standard work, but it’s nothing bad; the story grinds to a...
A middling Middle Earth–ish extravaganza with all the usual thrills, chills, spills and frills.
All modern fantasy begins with J.R.R. Tolkien, and Tolkien begins with the Icelandic sagas and the Mabinogion. Debut author Gwynne’s overstuffed but slow-moving contribution to the genre—the first in a series, of course—wears the latter source on its sleeve: “Fionn ap Toin, Marrock ben Rhagor, why do you come here on this first day of the Birth Moon?” Why, indeed? Well, therein hangs the tale. The protagonist is a 14-year-old commoner named Corban, son of a swineherd, who, as happens in such things, turns out to be more resourceful than his porcine-production background might suggest. There are bad doings afoot in Tintagel—beg pardon, the Banished Lands—where nobles plot against nobles even as there are stirrings of renewed titanomachia, that war between giants and humans having given the place some of its gloominess. There’s treachery aplenty, peppered with odd episodes inspired by other sources, such as an Androcles-and-lion moment in which Corban rescues a fierce wolven (“rarely seen here, preferring the south of Ardan, regions of deep forest and sweeping moors, where the auroch herds roamed”). It’s a good move: You never can tell when a wolven ally will come in handy, especially when there are wyrms around.
Gwynne’s effort pales in comparison to George R.R. Martin’s gold-standard work, but it’s nothing bad; the story grinds to a halt at points, but at others, there’s plenty of action.Pub Date: Dec. 3, 2013
ISBN: 978-0-316-39973-9
Page Count: 640
Publisher: Orbit/Little, Brown
Review Posted Online: Nov. 16, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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