A loose-knit collection of personal essays, all of them short, irreverent, and revealing, by one of Britain’s top novelists (Every Man for Himself, 1996; The Birthday Boys, 1994; etc.) When she first began her column for the London Evening Standard in the late ’80s, Bainbridge claims that she “mistakenly attempted to grapple with so-called burning issues,” only to realize that such an undertaking required much research. Overwhelmed by the effort, she soon turned her attention home again. “I’m not bothered,” she writes, “with causes or hard facts; my preoccupation is not with the immediate how and why of the lives we lead, but rather with a raking over of the life we once knew.” And so she does, with self-deprecating wit and a knack for character-revealing detail. The character she exposes, however, is her own. Bainbridge casts herself as the slightly addled owner of a ramshackle house overrun by various adult daughters and their assorted children. At every turn, the author’s efforts to write her column are interrupted by their comings and goings, as well as those of her secretary, her cleaning woman, her cat, her local ghost and equally local policeman. The tumult provides Bainbridge with enough centrifugal force to connect the ridiculous to the even more ridiculous, completely bypassing the sublime. Who else would link a brief discussion of philosopher David Hume to a failed attempt to rent a geriatric guest from the Council housing project for Christmas? Or use the event of a concert by the Israel Philharmonic Orchestra to reflect upon a ruptured carbuncle and the decline of British manners? Although hardly profound, Bainbridge has a way of skewering her own foibles and those of the larger society with a deft pen, casually mixing and matching personal and social phenomena with the odd faux pas. Thus Bainbridge succeeds in creating a book of short essays as salty and addictive as a bag of crisps. (drawings by author, not seen)
Pub Date: Aug. 1, 1998
ISBN: 0-7867-0517-5
Page Count: 176
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
BOOK REVIEW
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BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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