by John Carey ‧ RELEASE DATE: June 1, 2010
A tendentious but relentlessly thorough, historically important treatment.
With the cooperation of his subject’s daughter, Sunday Times chief book reviewer Carey (What Good Are the Arts?, 2006, etc.) produces the first major biography of Nobel Prize–winning novelist William Golding (1911–1993).
The author is uniquely equipped to handle the task. He was the first person allowed access to Golding’s immense archive of letters, journals and drafts, and he also knew Golding personally, having edited a Festschrift for his 75th birthday. The amount of detail is impressive, even staggering. After an unhappy career at Oxford and a stint in the Royal Navy during World War II, Golding became, like his father, a dissatisfied schoolteacher. He published several novels, including Lord of the Flies (his first book) in 1954, while laboring over class preparations and student essays. Literary celebrity finally freed him from his bondage in the classroom. Carey ably chronicles Golding’s career-long relationship with Faber and Faber and editor Charles Monteith, and he describes Golding’s long marriage, which was lubricated with alcohol, animated by world travel and punctuated by arguments, even violence. The author portrays an insecure Golding who revised ferociously but disdained research, often preferring the visions in his imagination to the inconvenience of fact. Although he professed to dislike publicity and fame, Golding reveled in it as well, accepting countless speaking engagements and tours all over the world, as well as numerous awards and honorary degrees. Despite Carey’s enormous scholarship and access, however, much of this massive volume slips into hagiography. He invariably portrays Golding in the most positive way possible, dragging even the novelist’s darkest demons—excessive drink, possible spousal abuse—into a forgiving if not flattering light.
A tendentious but relentlessly thorough, historically important treatment.Pub Date: June 1, 2010
ISBN: 978-1-4391-8732-6
Page Count: 592
Publisher: Free Press
Review Posted Online: Dec. 28, 2010
Kirkus Reviews Issue: April 1, 2010
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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