An emotional journey from lost to found, featuring engaging characterization.
In Fehlbaum’s YA novel, a troubled teen is taken in by family members she’s never truly known.
Kylie Jean Briscoe dislikes homework, but her assignment on the first day of her sophomore year in Texarkana is the least of her worries. Kylie’s mother, Matilda, is an abusive drug addict who often treats both the teen girl and her beloved little sister, Aliza, as an afterthought, leaving Kylie to scavenge for food and evade nosy neighbors. After law enforcement finally intervenes, Kylie and Aliza are separated: Aliza goes to Louisiana with her biological father, Travis, and his family, and Kylie is sent to Texas with her maternal grandparents, with whom she lived as a toddler. Kylie’s grandmother LeeAnn, grandfather Oliver, and uncle Joey, a police officer, are eager to bring Kylie into their fold, but the teenager is reluctant to make connections—especially with Aliza so far away. Soon Kylie enters the local high school and finds solace in friendship with her English teacher’s son, Ethan, and the school’s creative writing club. However, an alliance with her mysterious, magnetic classmate Casey could prove dangerous to Kylie and those around her. Fehlbaum, a former English and creative writing teacher, notes in her acknowledgments that she drew some inspiration from her students for this novel. Kylie is a well-developed character whose traumatic experiences have, in part, led her to mistrust those who claim to love her. Kylie’s grandparents are fully fleshed out, too—still smarting from the loss of their daughter to drugs, but happy to welcome their granddaughter into their lives. Watching Kylie progress from sad and angry to healthy and fulfilled is often rewarding. However, some readers may find the novel’s use of Southern vernacular a bit exhausting to parse at times: “That little girl ’n me was like peas ’n carrots when she was a young’un.”
An emotional journey from lost to found, featuring engaging characterization.Pub Date: Jan. 10, 2023
ISBN: 9781958640296
Page Count: 298
Publisher: Progressive Rising Phoenix Press
Review Posted Online: Dec. 12, 2022
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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