By practicing the basic journalistic acts of listening and observing, Macy continues her noble work as a truth teller.
A small-town success story returns to her Ohio home to take account of profound changes.
“It’s not as if Urbana had ever been utopia for me. I was among the poorest kids in my class, and I felt it.” Macy, the author of Dopesick and other bestsellers, made her way out of poverty in the 1980s through a college degree funded by grants that largely no longer exist. Her latest nonfiction narrative chronicles her return home to try to see what would happen to a kid like her today, coming face to face with “the unprecedented forces that were actively turning the community I loved into a poorer, sicker, angrier, and less educated place.” Her reporting goes deep and wide, including her family members, old friends and teachers, and many new acquaintances. Central among them is recent high school graduate Silas James, one of the teens she identifies as “a modern-day me,” though Silas is trans and has more abuse and trauma in his background than the author. Also memorable are an ex-boyfriend, once the most liberal person she knew, now a strident voice on an array of far-right talking points; on the other end of the spectrum is Brooke Perry, a deeply committed attendance officer whom she accompanies on harrowing rounds to try to get kids into school in a climate where education has lost its place as a tentpole of the American dream. The author does not shy away from tough personal stories, writing about a niece who was abused as a child by her stepfather. Macy goes into the toughest interviews with “trauma-informed advice,” reminding herself that connecting about shared interests and noncontroversial topics will keep these conversations going much longer—though sadly, it often doesn’t change the end result. Black-and-white photos of the interview subjects add an important dimension to the story.
By practicing the basic journalistic acts of listening and observing, Macy continues her noble work as a truth teller.Pub Date: Oct. 7, 2025
ISBN: 9780593656730
Page Count: 368
Publisher: Penguin Press
Review Posted Online: May 28, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
IN THE NEWS
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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