by Bethanie Deeney Murguia & illustrated by Bethanie Deeney Murguia ‧ RELEASE DATE: May 10, 2011
Buglette is neat and precise during the day, but each morning she awakens to a messy bed that reflects the big dreams of the night before.
Driving a construction machine leads to a mountain of blankets, and kicking a ball over the moon leaves her pillow teetering on a branch. Her parents tend to be heavy handed with guilt-inducing comments, comparing her to her brothers, who are “neat little sleepers,” and sighing over “how we ended up with a messy sleeper.” They also plant the seed of blame when they suggest that her nighttime movements might wake up their feared predator, the crow. Her brothers make an attempt to “put a lid” on her, but the result is near disaster when the crow makes his move. Buglette bravely saves them all by emulating her intrepid dream self. Murguia’s tale sends mixed messages. Messy sleeping may be an issue for bugs, but it probably won't resonate with humans, and literal-minded young readers will not be able to project any alternate interpretations. Mama Bug’s attitude is especially problematic and obfuscates the apparent theme of celebrating differences and dreaming of possibilities. The watercolor illustrations in nature’s colors are appealing, and Buglette’s action-packed dreams are charmingly depicted. They also serve to provide a visual interpretation that, perhaps, rises above the text. Here's hoping Murguia’s next book has a clarity of text that matches the illustrations. (Picture book. 4-7)
Pub Date: May 10, 2011
ISBN: 978-1-58246-375-9
Page Count: 32
Publisher: Random House
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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by Bethanie Deeney Murguia ; illustrated by Bethanie Deeney Murguia
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
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