What’s a name for this richly satisfying book? Winner.
What’s in a name?
According to this thought-provoking conversation sparker, lots—more than readers probably realized. Names are fraught with meaning and spring from varied sources. As narrated in jaunty verse and clarified through speech bubbles, this spirited offering invites children to discover, ponder, and discuss fascinating things about names—their own and those of parents, family members, friends, neighbors, and others, even pets. Many kids may never have thought about names this way. They will learn names aren’t just personal identifiers, but also have functions. Names can be familiar or unique. They can honor people from history or pay homage to seasons, weather, birthplaces, and birth times. What if our names don’t suit us? We can “try new names, or add on a bit, / give them a whirl, and see how they fit”—as in the scene depicting a light-skinned child wearing a tutu who adds an A to their name (turning Louis to Louisa) and looks admiringly in a mirror. Perhaps this book’s greatest strengths are its cheery declarations, portrayals of diversity—in race, ethnicity, attire, and physical ability (a child fingerspells their name in ASL)—and depictions of respectful camaraderie and pride in being unabashedly oneself, expressed through text and charming illustrations, created with traditional printmaking methods and assembled digitally. Grown-ups should absolutely encourage lively post-reading discussion with kids—and note the characters’ final question (“what’s yours?”); response guaranteed! (This book was reviewed digitally.)
What’s a name for this richly satisfying book? Winner. (Picture book. 4-8)Pub Date: Nov. 8, 2022
ISBN: 978-1-5362-1856-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Eggs-quisitely excellent.
Being a good egg can be eggs-cruciatingly stressful.
This earnest counterpart to John and Oswald’s hilarious The Bad Seed (2017) opens with a direct address from an oval-shaped saint to readers: “Oh, hello! I was just rescuing this cat. Know why? Because I’m a good egg.” Just how good is this egg? “Verrrrrry good.” Without hesitation, the bespectacled egg offers to help others with carrying groceries, painting houses, and changing tires. The good egg even tries to “keep the peace” among the other 11 eggs in its dozen, who forgo their bedtime, eat sugary cereal, and break stuff. Rotten eggs indeed! When the pressure of being good proves too much, the beleaguered egg embarks on a journey of self-care. John embeds a seed of a great idea—finding a balance between personal and social responsibility—within a rip-roaring, touching narrative. Despite his sober narrator, the author’s sense of humor remains intact thanks to some clever (and punny) wordplay. Likewise, Oswald’s digitally composed, bright artwork pops with rib-tickling close-ups and character-building moments. Both text and art complement each other perfectly. Too long alone, the protagonist heads back to its rowdy family, imparting a slice of wisdom to readers: “I’ll be good to my fellow eggs while also being good to myself.” It’s an empowering moment made all the better when this good egg returns to find a rapturous welcome from the others.
Eggs-quisitely excellent. (Picture book. 4-8)Pub Date: Feb. 12, 2019
ISBN: 978-0-06-286600-4
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike.
A bespectacled naked mole rat stays true to her awkward self.
By human standards, Zuill’s anthropomorphized naked mole rats are all pretty weird-looking: unsettlingly humanlike; pinkish-white but with beady little eyes, pronounced snoots, and vacant smiles. It seems that there are hierarchies even among naked mole rats, however, and Sweety is somewhere toward the bottom. With Coke-bottle glasses and headgear over her buck teeth, Sweety “could be intense”; she loves mycology and interpretive dance, and she has a hard time making friends with the more popular naked mole rats. Refreshingly, this story doesn’t follow a “Rudolph the Red-nosed Reindeer” plot, in which deviance is only acceptable if it’s useful to others, nor is anyone particularly unkind to the strange mole-girl. Sweety’s aunt Ruth informs her that “being different was one of the best things about her life, and that if you stayed true to yourself, you’d find your people.” Sweety thinks a little about how to be more popular and considers different attention-getting tricks to find her people, but at the end she decides to “continue to do her favorite things, and be herself.” Hilarious, slightly (and appropriately) off-putting pen-and-ink sketches (with an especially delightful spot of some goth adolescent mole rats) perfectly illustrate Sweety’s uniqueness.
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike. (Picture book. 4-8)Pub Date: March 26, 2019
ISBN: 978-0-525-58000-3
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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