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THE GADGET WAR

When Albert Einstein Jones joins Kelly's third grade, it's ``hate at first sight'': proud of her status as class inventor, Kelly meets his competitive zeal with rancor that escalates as each attacks the other with not-so-ingenious pranks involving smelly goo, food catapults, etc. But when the orange that Kelly slings at Albert hits the principal by mistake, the resourceful Albert covers for her—with the unexpected result that he gets the blame. Kelly is honest enough to tell the principal what really happened; left alone together in detention, she and Albert go through a classic disarmament, alternately dropping their gadgets into the trash one by one, and decide that ``making peace is definitely nicer than making war.'' Too broadly drawn to strike adults as funny, but the intended audience will enjoy the slapstick and may absorb the not-so-subtle message. Illustrations not seen. (Fiction. 7-10)

Pub Date: Oct. 1, 1991

ISBN: 0-670-84152-8

Page Count: 64

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1991

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MONSTER MATH

Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)

Pub Date: Aug. 1, 1999

ISBN: 0-15-201835-2

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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CHRISTMAS TAPESTRY

This longer Christmas story centers on an embroidered tapestry purchased to hang in a church for the Christmas Eve service. As with many of her works, Polacco (When Lightning Comes in a Jar, p. 665, etc.) sets her story in Michigan, this time in wintry Detroit. Young Jonathan resents his family’s recent move from Tennessee to where his minister father has been reassigned to renovate an old church and revive its congregation. Through a series of Dickensian trials and coincidences, the tapestry is purchased to cover some water damage to a church wall, and an elderly Jewish woman (and Holocaust survivor) whom the family has befriended recognizes the tapestry as the one she made in pre-WWII Germany for her wedding ceremony. In an ending worthy of O. Henry, the repairman who arrives on Christmas Eve to inspect the water damage turns out to be the woman’s long-lost husband (each thought the other had died in the Holocaust), and the devoted couple is reunited. Polacco succeeds as always with her watercolor-and-pencil illustrations in creating unique, expressive characters who seem to have real lives in their snowy city streets, cozy living rooms, and busy church. The gentle, reassuring message, suggested to Jonathan by his kindly father, is that “the universe unfolds as it should,” even when we don’t understand the pattern of the tapestry. (Picture book. 7-10)

Pub Date: Sept. 1, 2002

ISBN: 0-399-23955-3

Page Count: 160

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2002

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