edited by Betsy Sussler ‧ RELEASE DATE: Nov. 4, 2014
Interviews that range from sparklers to Roman candles to skyrockets and beyond.
A co-founder and editor in chief of Bomb, the quarterly devoted to artists and writers, offers a wide-ranging selection of interviews—author on author—that spans the history of the journal.
There are some celebrated names in this unusual and very engaging collection, among them Martin Amis, Francine Prose, Jonathan Lethem, Jonathan Franzen, Steven Millhauser, Paula Fox, Tobias Wolff and Charles Simic. But there are many more names probably unfamiliar to casual readers. The format is generally uniform: One writer asks questions; another answers; a colloquy ensues—though the focus remains on the work, usually the recent work, of the interviewee. In some cases, there is the delight in hearing from writers before they became household names. Franzen, for example, talked with Donald Antrim in 2001, the year The Corrections appeared—but before the novel took off, before the Oprah kerfuffle—and they discussed Franzen’s two earlier novels. Sometimes the writers are loquacious (both Rachel Kushner and Hari Kunzru have plenty to say), but this is occasionally due to the format of the exchange. Some are via email; others, edited versions of live conversations. The media affect the messages. We learn about writers’ habits (Kimiko Hahn once wrote a lot in coffee shops; Ben Marcus had to adjust to a new baby in the house; John Edgar Wideman confesses that revision sometimes comes easily). The diction ranges from nearly pretentious to appealingly humble. In the latter category, Justin Taylor and Ben Mirov end their interview with a playful word-association game. But at the center of virtually every exchange are significant discussions of writing and art in general. Lydia Davis learned early from Dick and Jane the rhythms of sentences, and Junot Díaz says, “I don’t write with any regularity or joy. I fear that it might take me another 11 years to write another book.”
Interviews that range from sparklers to Roman candles to skyrockets and beyond.Pub Date: Nov. 4, 2014
ISBN: 978-1616953799
Page Count: 480
Publisher: Soho
Review Posted Online: Sept. 8, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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