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ON THE BORDER

From the A Samantha Church Mystery series , Vol. 5

An engaging mystery with a genuine, likable protagonist.

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In Ferrendelli’s fifth mystery-series installment, 30-something reporter Samantha Church battles alcoholism as she searches for a missing man and confronts dangerous criminals.

Sam was devastated by her sister’s murder, and her resultant drinking caused her to lose her job as a reporter at the Denver Post. After she temporarily lost custody of her 11-year-old daughter, April, she became determined to conquer her addiction. She and April moved to their idyllic 280-acre family ranch in the Denver suburb of Grandview. Now, nearly a year after taking her last drink, Sam works as a reporter at the Grandview Perspective, a community newspaper, and aside from low self-esteem due to weight gain, she’s at peace with herself. Enter 23-year-old reporter Hunter John Hollingsworth, a handsome younger man who admires her intelligence and tells her stories about his beloved late mother. At the behest of her boss, Sam takes Hunter under her wing, and the two find themselves involved in a missing person case that leads them to a dangerous fraud ring. Mystery fans will find enough action here to keep them turning pages; for example, in an exciting, climactic scene, Sam and Hunter try to flee on foot as a villain tries to run them over with a truck. Ferrendelli’s prose flows easily, and her descriptions are often lovely in how they quietly hint at deeper emotions. While strolling on the ranch, for example, Sam and Hunter “stood next to each other, their arms crossed, as silent as a country road, the landscape, a mirror of sagebrush and trees giving way to a gentle slope of a hill toward an open meadow, reflecting back at them.”

An engaging mystery with a genuine, likable protagonist.

Pub Date: April 20, 2020

ISBN: N/A

Page Count: 276

Publisher: Self

Review Posted Online: May 23, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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FRAMED IN DEATH

High art meets low life in a tale a lot more sympathetic to the latter.

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Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.

In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.

High art meets low life in a tale a lot more sympathetic to the latter.

Pub Date: Sept. 2, 2025

ISBN: 9781250370822

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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