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THE WIDOW

Everything you’d expect from Grisham, and this time something more.

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After more than three decades of producing bestselling legal thrillers, Grisham tries his hand at a whodunit.

Eleanor Barnett wants Simon Latch to write her a will. That’s pretty much his job description, since practicing law in Braxton, Virginia, for 18 years hasn’t given him much opportunity to spread his wings. But the case of Netty, as she insists he call her, is different. She’s an 85-year-old widow whose second husband, Harry Korsak, left her with something like $20 million in cash and securities. She has a pair of stepsons, Clyde and Jerry Korsak, she’s determined to disinherit. And she already has a will, a document Wally Thackerman drafted a few weeks ago that basically allowed him, as Simon soon discovers, to pillage her estate. So instead of following his usual procedure and asking his longtime secretary, Matilda Clark, to type out the will, Simon types it himself and has it witnessed without saying anything to her. Of course he’d never do what Wally Thackerman did, but given his poverty, his gambling addiction, and his estrangement from his wife, Paula, whose income is a lot more stable than his own, he wouldn’t mind drawing just a bit on Netty’s wealth. As it happens, his new client turns out to be more trouble than she’s worth, maybe even more trouble than she would’ve been worth to Wally. And when she ends up dying, her death is swiftly identified as murder, with every indication that Simon killed her himself. The whodunit is unremarkable, but Grisham handles the legal complexities of the case with professional finesse and adds a wonderfully poignant portrait of a nothingburger lawyer trying his best to keep things more or less legal.

Everything you’d expect from Grisham, and this time something more.

Pub Date: Oct. 21, 2025

ISBN: 9780385548984

Page Count: 416

Publisher: Doubleday

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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MURDER TAKES A VACATION

Another gem from Lippman, with a heroine who elevates being ordinary to an art form.

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An ordinary woman finds extraordinary adventures on a river cruise on the Seine.

Muriel Blossom acknowledges that she’s a “no-frills” person, a trait that served her well when doing surveillance for Baltimore PI Tess Monaghan. When she gets an unexpected upgrade on her British Airways flight to Paris, she finds herself not only in business class, but on the other side of the looking glass. Allan Turner, a handsome stranger, befriends her in the Chesapeake Lounge, which her upgrade allows her to access. She misses her connection at Heathrow because of the weather, so he invites her to share his luxurious suite in a London hotel, paid for, he insists, by his firm. Then he sends her off on the Eurostar train to reach Paris via the Chunnel in time for her ship’s departure. Once in Paris, she meets another stranger, younger but equally attentive. Danny Johnson takes her to a friend’s atelier in the Marais where the plus-sized Muriel can find the fashionable clothing she deserves. A mysterious man in a bellman uniform knocks on her hotel-room door and invites her to leave her luggage in the hallway so it can be transferred overnight to her ship, but of course she realizes that’s nonsense. She also receives the news that Allan died in a fall from his balcony the night after she left London. When Danny turns up on her cruise, she knows something’s off, but she can’t put together the pieces. That’s because Lippman is unrivaled in her ability to lay out clues in a way that makes them seem not only mysterious, but downright surreal. Only at the end does everything fit together so naturally that it all seems blazingly obvious. Like Muriel, who’s patient and sensible to the end, you’ll just have to wait.

Another gem from Lippman, with a heroine who elevates being ordinary to an art form.

Pub Date: June 17, 2025

ISBN: 9780062998101

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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