A complex and fascinating mystery adorned with historical characters from Marc Chagall to Johnny Weissmuller.
Hordes of tourists and broiling heat test the resolve of an American woman set on finding a killer in 1920s Paris.
Zoe Barlow was exiled to France by her racist family after secretly marrying a Black man and having his baby. The newborn was literally ripped from her arms and she doesn’t even know if her daughter survived. Subsisting on a small allowance, poker winnings, and the sale of her paintings, she’s built up a circle of Parisian friends from artists to aristocrats, and every penny she can spare goes to the Pinkerton Agency, which is looking for her baby. When her favorite clock is broken by a drunk guest at her weekly poker game, she purchases a replacement from Laurette Belcoeur, one of two sisters who run a small flea market in Montparnasse, but she gets more than she bargained for—the replacement clock turns out to be wrapped in a painting by Marc Chagall, who’d had most of his canvases stolen and sold by a so-called friend while he was away in Russia. Hoping to discover where Laurette got the painting, Zoe finds not only more of Chagall’s work but also Laurette’s bloody body. The inspector in charge of the case is once again Henri Challiot, Zoe’s married lover. Zoe returns what she found to Chagall without telling Henri. In her spare time, she reads to Henri’s wife, Gabrielle, who’s in a coma following a stroke—though, unbeknownst to anyone, she’s regained enough of her faculties to plot Zoe’s death. The 1924 Olympics keep the city crowded, but despite the crowds, the heat, and her many problems, Zoe can’t forget Laurette’s murder and puts herself in danger searching for motives for what seems a senseless death.
A complex and fascinating mystery adorned with historical characters from Marc Chagall to Johnny Weissmuller.Pub Date: April 9, 2024
ISBN: 9781728269931
Page Count: 320
Publisher: Poisoned Pen
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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