The author plays the long game in this engaging, layered, slow-burning fantasy series opener.
Survivors of an apocalypse discover a new world in this YA fantasy.
Alex Chegasa turns 18 years old today. She’s one of the few who lived through "the Orange,” a world-destroying event involving bombs. She lives in Danvers, Massachusetts, in an old school with her adoptive guardians, Danny and Calesta. While rummaging through abandoned homes for “trinkets,” Alex uses her power of detecting auras to sense a presence nearby. The entity is a dog, whom Alex names Jen, after her dead mother. Later, Alex, her guardians, and friends Roberto and Abi venture into the town of Salem. When they meet another band of survivors who are armed, tragedy strikes. Alex goes home and uses her Firestone, a gift from her mother, to burn down her past and start fresh. She decides to search for Jericho, a benevolent community. Meanwhile, in the distant Bearaig, a teen named Billey NicNevin lives with her “State-sponsored” family. She suffers an abiding loneliness that’s only lessened by her bond with trees. One day, she meets a “beautiful young woman” named Geilis, who comes and goes like a spirit. Neither Billey nor Alex fathoms that each one shares a hidden connection to the fae King Arthanius Chegasa, ruler of a place called Spirismus. Can Alex and her new companion, Iggy Dragonrider Thrumblar, escape Jericho to learn more? Hall begins a new series with ambitious worldbuilding and a tantalizing narrative structure. Alex's and Billey’s chapters alternate with first-person perspectives, keeping events intimate and on parallel tracks. Many genre tropes entwine, including apocalyptic survivors developing powers and a scandal happening in the fae courts. A deep exploration of character emotions ensures careful pacing, so casual fantasy fans may need patience as the separate arcs build toward each other. Alex’s romance with the equally powerful Iggy is intriguing, as “his feelings confused me, and I wanted to read him but knew he would know, would repel my energy.” Throughout, nature is lauded as a healing power, and the message that society should be more than just “a group of people living in the same place” is excellent.
The author plays the long game in this engaging, layered, slow-burning fantasy series opener.Pub Date: July 19, 2022
ISBN: N/A
Page Count: 339
Publisher: Leirsinn Publishing
Review Posted Online: June 3, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Review Program: Kirkus Indie
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
This fresh reworking of a Greek myth will resonate.
An otherworldly Latinx retelling of the Orpheus and Eurydice myth set in the South Bronx.
Pheus visits his father in the Bronx every summer. The Afro-Dominican teen is known for his mesmerizing bachata music, love of history, and smooth way with the ladies. Eury, a young Puerto Rican woman and Hurricane Maria survivor, is staying with her cousin for the summer because of a recent, unspecified traumatic event. Her family doesn’t know that she’s been plagued since childhood by the demonlike Ato. Pheus and Eury bond over music and quickly fall in love. Attacked at a dance club by Sileno, its salacious and satyrlike owner, Eury falls into a coma and is taken to el Inframundo by Ato. Pheus, despite his atheism, follows the advice of his father and a local bruja to journey to find his love in the Underworld. Rivera skillfully captures the sounds and feels of the Bronx—its unique, diverse culture and the creeping gentrification of its neighborhoods. Through an amalgamation of Greek, Roman, and Taíno mythology and religious beliefs, gaslighting, the colonization of Puerto Rico, Afro-Latinidad identity, and female empowerment are woven into the narrative. While the pacing lags in the middle, secondary characters aren’t fully developed, and the couple’s relationship borders on instalove, the rush of a summertime romance feels realistic. Rivera’s complex world is well realized, and the dialogue rings true. All protagonists are Latinx.
This fresh reworking of a Greek myth will resonate. (Fabulism. 14-adult)Pub Date: Sept. 15, 2020
ISBN: 978-1-5476-0373-2
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: June 24, 2020
Kirkus Reviews Issue: July 15, 2020
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