This fresh reworking of a Greek myth will resonate.
An otherworldly Latinx retelling of the Orpheus and Eurydice myth set in the South Bronx.
Pheus visits his father in the Bronx every summer. The Afro-Dominican teen is known for his mesmerizing bachata music, love of history, and smooth way with the ladies. Eury, a young Puerto Rican woman and Hurricane Maria survivor, is staying with her cousin for the summer because of a recent, unspecified traumatic event. Her family doesn’t know that she’s been plagued since childhood by the demonlike Ato. Pheus and Eury bond over music and quickly fall in love. Attacked at a dance club by Sileno, its salacious and satyrlike owner, Eury falls into a coma and is taken to el Inframundo by Ato. Pheus, despite his atheism, follows the advice of his father and a local bruja to journey to find his love in the Underworld. Rivera skillfully captures the sounds and feels of the Bronx—its unique, diverse culture and the creeping gentrification of its neighborhoods. Through an amalgamation of Greek, Roman, and Taíno mythology and religious beliefs, gaslighting, the colonization of Puerto Rico, Afro-Latinidad identity, and female empowerment are woven into the narrative. While the pacing lags in the middle, secondary characters aren’t fully developed, and the couple’s relationship borders on instalove, the rush of a summertime romance feels realistic. Rivera’s complex world is well realized, and the dialogue rings true. All protagonists are Latinx.
This fresh reworking of a Greek myth will resonate. (Fabulism. 14-adult)Pub Date: Sept. 15, 2020
ISBN: 978-1-5476-0373-2
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: June 24, 2020
Kirkus Reviews Issue: July 15, 2020
PERSPECTIVES
BOOK TO SCREEN
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
