A thrilling and enjoyable read.
In the Old West, a contented spinster rethinks her future plans when a handsome brown-skinned cowboy rides into town.
Portia Carmichael has everything she wants. She has a position of responsibility running the Fontaine Hotel owned by her aunt and uncle near Tucson in the Arizona Territory. Her sister Regan is her closest friend. And any day now she’ll get up the nerve to start her own business as a bookkeeper catering to other business owners of color. She has no need for a man in her life, though Regan chides her, “Numbers won’t keep you warm at night, sister mine.” Then Kent Randolph, an old family friend, turns up at the hotel and Portia’s uncle offers him a job. Kent has been a drifting ranch hand, but he’s looking to settle down. He’s even given up his womanizing ways. Far from looking askance at Portia’s business acumen, he encourages her to strike out on her own. And it doesn’t hurt that he’s smoking hot, “dangerous to a woman determined to keep her heart guarded and buttons done up.” Portia and Kent’s romance has just the right amount of trouble, from Portia’s unwanted suitors to Kent’s father showing up with a bride he’s picked out for his son. Even more than that, Portia must open herself up to the idea of a different kind of life than she had dreamed about for herself and begin to trust that life as Mrs. Randolph will still allow the independence she needs to be happy. Jenkins (Forbidden, 2016, etc.) has not disappointed with the second installment in her Old West series. Her writing is both sexy and smart, and her characters come to life as real people the reader will want to know better.
A thrilling and enjoyable read.Pub Date: Jan. 31, 2017
ISBN: 978-0-06-238902-2
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
PROFILES
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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