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FORBIDDEN

From the Old West Series series , Vol. 1

For readers who enjoy love stories with steamy interludes against historical backdrops, Jenkins’ latest is not to be missed.

A biracial saloon owner hides his heritage after the Civil War but can’t bring himself to marry a spoiled white woman instead of the strong African-American woman who’s taken his fancy.

Jenkins (Homecoming, 2015, etc.) explores the years after the Civil War with the story of Rhine Fontaine, the son of a white plantation owner and the enslaved descendant of African queens. Rhine’s light skin and green eyes allow him to pass as white, and he rises to prominence in the town of Virginia City, Nevada. He’s a man of property, a rising local politician, and he’s engaged to be married to a beautiful white socialite. Only his business partner and his half brother know the truth about his parentage. When Rhine comes upon an African-American woman who's been robbed and left to die in the desert outside town, he brings her back to Virginia City, nurses her back to health, and helps her find a job cooking at a local boardinghouse. Eddy Carmichael’s cooking may be divine, but she's spent much of her life scrubbing floors to avoid ending up a prostitute like her younger sister. She’s thrilled by the new job and determined to save up money to open her own restaurant. When Rhine casts aside his fiancee and starts hanging around Eddy’s kitchen, she’s sure his motives are anything but honorable. For Rhine, the idea of marrying Eddy makes him reconsider his decision to renounce the African side of his ancestry. In spite of a few forgivable anachronisms, Jenkins’ prose is lively and fluid, her characters complex and engaging, and her plot full of interesting side stories.

For readers who enjoy love stories with steamy interludes against historical backdrops, Jenkins’ latest is not to be missed.

Pub Date: Jan. 26, 2016

ISBN: 978-0-06-238900-8

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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