A satisfying start to a new historical series from one of romance’s finest writers.
Love and longing in Reconstruction-era New Orleans.
It’s 1867, and Valinda Lacy has traveled from New York to Louisiana to teach former slaves. After a series of misfortunes—the barn she’s using as a schoolroom is overrun by vagrants, she's assaulted by soldiers, and her landlady throws her out onto the street—Val is welcomed into the LeVeq family. Jenkins fans may remember the name LeVeq from an earlier trilogy (Captured, 2009, etc.). Now, the author returns to New Orleans to launch her Women Who Dare series. Val is a winning heroine, and Capt. Drake LeVeq is an excellent match. He admires her sense of independence, she respects his kindness and generosity, and—of course—they are both wildly attracted to each other. The evolution of their romance has an organic flow. Jenkins doesn’t create elaborate contrivances to keep her characters apart. Val has been raised to expect neither love nor passion. Even when Drake introduces her to pleasure she’s never imagined, she's reluctant to give away her freedom. For his part, Drake is wounded that she doesn't immediately return his affections when he makes his devotion to her known. As Jenkins’ readers will expect, the love story is interwoven with a great deal of historical detail. She offers a vivid portrait of life during Reconstruction, and New Orleans is revealed as the unique place it is. There is colorism and classism and tension between old Creole families and former slaves, but there is also a great deal of opportunity for ambitious women. This is a huge part of the city’s appeal for Val—this, and the amazing food. So often, stories drawn from the African-American past deal largely with struggle, and Jenkins does not shy away from depictions of injustice and violence. But she also gives us characters who are able to thrive and love and find their ways to happy endings.
A satisfying start to a new historical series from one of romance’s finest writers.Pub Date: May 28, 2019
ISBN: 978-0-06-286168-9
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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