This true and telling novel is optimistic, realistic and sensitively told.
Three siblings balance family dysfunction and love in Olevin’s (The Breath of Juno, 1996) new novel.
Real families don’t function in vacuums, and during every crisis there are a dozen other smaller crises that need to be handled simultaneously—and are usually ignored. When baby sister Florence jumps off a bridge, her brother Peter must temporarily abandon the ferocious pace of his New York brokerage to fly to Seattle and help. Big sister Sara is used to managing Florence—the family division of labor has Peter responsible for their footloose mother—but this latest misadventure, an apparent suicide attempt, may signal an escalation in the family’s problems. Meanwhile, Peter can’t help but notice Sara’s rundown house; post-divorce, she seems resigned to poverty and a solitary life. At the same time, Florence takes note of Peter’s agitation, which the Xanax barely contains and the market crash of 2008 only exacerbates. Told over the course of an eventful year, this drama subtly and accurately examines the ways in which families interact. Alternating among voices, with chapters headed by each narrator’s name, the book reveals the layers of denial and habit that sustain patterns established in childhood. While all three characters come to life, it is Florence, with her delusions, who is the most intriguing. Olevin inhabits her fear—of the “black hoods,” of losing herself—with an artist’s touch, and her short-lived romance with Dennis, another troubled soul, is heartrending. As the cumulative crises break through each character’s reserve, we come to see that each is in crisis, a body in motion. Jarred from their accustomed paths, each takes risks and begins to grow. The resolution isn’t fairy tale perfection and shows how flawed humans may be able to find a fragile peace.
This true and telling novel is optimistic, realistic and sensitively told.Pub Date: Sept. 1, 2010
ISBN: 978-1-935052-35-7
Page Count: 224
Publisher: N/A
Review Posted Online: Aug. 23, 2010
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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