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BRISTOL HOUSE

This latest effort by Swerling is nicely penned but also ponderous and overloaded with out-of-place sexual vernacular, an...

An intricately woven plot with voices from the past give Swerling’s latest historical thriller an otherworldly aura.

Annie, a recovered alcoholic, has been hired by a Jewish foundation, spearheaded by a controversial and very wealthy man, to spend three months in London looking for evidence of an elusive historical figure known as the Jew of Holborn. She moves into a flat whose owner is visiting her son in another country and almost immediately is confronted by the ghost of a Carthusian monk in the back bedroom. Frightened and worried that the vision could be the result of hallucinations from years of drinking, Annie begins her research on specific ancient Jewish artifacts, all of which are holy to the Jewish people. In the meantime, Annie meets Geoffrey, a famous British television news personality, who joins forces to determine whether she is indeed on the right track to finding those artifacts, the Jew of Holborn and the identity of the monk who keeps appearing to her. But when Geoffrey introduces her to his mother, Maggie, a brilliant Jewish woman who worked as a codebreaker for England during World War II and was brought over at the beginning of the war as a child, both Geoffrey and Annie begin delving deeper into the Jew of Holborn and what they believe may be a code that will lead them closer to conspiracies both past and present. The author writes well, but readers have a lot to swallow when it comes to gullibility, particularly when no one who finds out about Annie’s ghostly visions, which only she can see, bats an eye. The story is also weighted down with so much historical minutiae that readers will both find themselves lost and wondering on occasion.

This latest effort by Swerling is nicely penned but also ponderous and overloaded with out-of-place sexual vernacular, an overabundance of detail, and a tired, evil Catholic Church conspiracy.

Pub Date: April 8, 2013

ISBN: 978-0-670-02593-0

Page Count: 416

Publisher: Viking

Review Posted Online: Jan. 19, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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