This noir-shadowed melodrama’s realistic characters will hold readers’ interest.
In Shelburne’s (Clemmie, 2012, etc.) novel, a man reluctantly returns to his small, Southern hometown for his estranged mother’s funeral and becomes inextricably caught up in the lives of his former childhood friends.
There’s “never a dull moment out here in the sticks,” a Martinsville, Tennessee, storekeeper observes in this fast-paced novel. It opens with a harrowing drunk-driving accident involving a carful of long-separated former friends. Matthew is a divorced man who’s anxious to return to his fledgling Denver law practice and bemoans being “stuck here in Podunk Junction with all its misfits”; Ivy League–educated Bernie is a now-conservative family man with a lucrative dry-cleaning business; and Joe Bob is a mechanic who lives in a trailer park. They pile into a car after a night of drinking with Joe Bob driving, and they accidentally hit and kill a local man. The trio decides to “let sleeping dogs lie” and not report the accident—a decision that casts a long shadow over their reunion. The narrative takes eccentric twists and turns, including a bizarre encounter with a snake-handling cult and a pregnant young “gypsy” whom the men find in a cabin. Although the book’s title suggests a Steven Seagal–style action-thriller, the narrative itself is more akin to the dysfunctional-family dramas of Sam Shepard or Tracy Letts. Matthew, for example, struggles to find closure regarding his feelings toward his small-town roots and his emotionally distant parent (“I wanted to be on my way, back to my real life,” he reflects. “I would bury Martinsville, Tennessee along with my mother”). Add to the mix Matthew’s increasingly unbalanced ex-wife, who shows up seeking to reconcile; soap-opera–like developments involving his angry, embittered sister; and a discovery of infidelity, and readers will begin to believe the maxim that you can’t go home again—or at least, you shouldn’t. Although the dramatic payoff of the drunk-driving incident is anticlimactic, the dialogue could use more snap, and some broadly drawn situations could use more authenticity, this book is anything but predictable. In a small town where “unpleasant things got swept under rugs,” Shelburne allows for the possibility of renewal and redemption.
This noir-shadowed melodrama’s realistic characters will hold readers’ interest.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: June 29, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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