by Bill Bryson ‧ RELEASE DATE: May 4, 1998
“Walking is what we did,” Bryson states: 800-plus out of the 2,100-plus miles, and that good sliver is sheer comic travel...
The Appalachian Trail—from Springer Mountain, Ga., to Mount Katahdin, Me.—consists of some five million steps, and Bryson (Notes from a Small Island, 1996, etc.) seems to coax a laugh, and often an unexpectedly startling insight, out of each one he traverses.
It’s not all yuks—though it is hard not to grin idiotically through all 288 pages—for Bryson is a talented portraitist of place. He did his natural-history homework, which is to say he knows a jack-o-lantern mushroom from a hellbender salamander from a purple wartyback mussel, and can also write seriously about the devastation of chestnut blight. He laces his narrative with gobbets of trail history and local trivia, and he makes real the “strange and palpable menace” of the dark deep woods in which he sojourns, the rough-hewn trailscape “mostly high up on the hills, over lonely ridges and forgotten hollows that no one has ever used or coveted,” celebrating as well the “low-level ecstasy” of finding a book left thoughtfully at a trail shelter, or a broom with which to sweep out the shelter’s dross. Yet humor is where the book finds its cues—from Bryson’s frequent trail companion, the obese and slothful Katz, a spacious target for Bryson’s sly wit, to moments of cruel and infantile laughs, as when he picks mercilessly on the witless woman who, admittedly, ruined a couple of their days. But for the most part the humor is bright sarcasm, flashing with drollery and intelligence, even when it’s a far yodel from political sensitivity. Then Bryson will take your breath away with a trenchant critique of the irredeemably vulgar vernacular strip that characterizes many American downtowns, or of other signs of decay he encounters off the trail (though the trail itself he comes to love).
“Walking is what we did,” Bryson states: 800-plus out of the 2,100-plus miles, and that good sliver is sheer comic travel entertainment.Pub Date: May 4, 1998
ISBN: 0-7679-0251-3
Page Count: 288
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
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by John McPhee ‧ RELEASE DATE: Sept. 5, 2017
A superb book about doing his job by a master of his craft.
The renowned writer offers advice on information-gathering and nonfiction composition.
The book consists of eight instructive and charming essays about creating narratives, all of them originally composed for the New Yorker, where McPhee (Silk Parachute, 2010, etc.) has been a contributor since the mid-1960s. Reading them consecutively in one volume constitutes a master class in writing, as the author clearly demonstrates why he has taught so successfully part-time for decades at Princeton University. In one of the essays, McPhee focuses on the personalities and skills of editors and publishers for whom he has worked, and his descriptions of those men and women are insightful and delightful. The main personality throughout the collection, though, is McPhee himself. He is frequently self-deprecating, occasionally openly proud of his accomplishments, and never boring. In his magazine articles and the books resulting from them, McPhee rarely injects himself except superficially. Within these essays, he offers a departure by revealing quite a bit about his journalism, his teaching life, and daughters, two of whom write professionally. Throughout the collection, there emerge passages of sly, subtle humor, a quality often absent in McPhee’s lengthy magazine pieces. Since some subjects are so weighty—especially those dealing with geology—the writing can seem dry. There is no dry prose here, however. Almost every sentence sparkles, with wordplay evident throughout. Another bonus is the detailed explanation of how McPhee decided to tackle certain topics and then how he chose to structure the resulting pieces. Readers already familiar with the author’s masterpieces—e.g., Levels of the Game, Encounters with the Archdruid, Looking for a Ship, Uncommon Carriers, Oranges, and Coming into the Country—will feel especially fulfilled by McPhee’s discussions of the specifics from his many books.
A superb book about doing his job by a master of his craft.Pub Date: Sept. 5, 2017
ISBN: 978-0-374-14274-2
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 8, 2017
Kirkus Reviews Issue: June 1, 2017
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by George Dawson & Richard Glaubman ‧ RELEASE DATE: Feb. 1, 2000
The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.
Pub Date: Feb. 1, 2000
ISBN: 0-375-50396-X
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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