“Walking is what we did,” Bryson states: 800-plus out of the 2,100-plus miles, and that good sliver is sheer comic travel...

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A WALK IN THE WOODS

REDISCOVERING AMERICA ON THE APPALACHIAN TRAIL

The Appalachian Trail—from Springer Mountain, Ga., to Mount Katahdin, Me.—consists of some five million steps, and Bryson (Notes from a Small Island, 1996, etc.) seems to coax a laugh, and often an unexpectedly startling insight, out of each one he traverses.

It’s not all yuks—though it is hard not to grin idiotically through all 288 pages—for Bryson is a talented portraitist of place. He did his natural-history homework, which is to say he knows a jack-o-lantern mushroom from a hellbender salamander from a purple wartyback mussel, and can also write seriously about the devastation of chestnut blight. He laces his narrative with gobbets of trail history and local trivia, and he makes real the “strange and palpable menace” of the dark deep woods in which he sojourns, the rough-hewn trailscape “mostly high up on the hills, over lonely ridges and forgotten hollows that no one has ever used or coveted,” celebrating as well the “low-level ecstasy” of finding a book left thoughtfully at a trail shelter, or a broom with which to sweep out the shelter’s dross. Yet humor is where the book finds its cues—from Bryson’s frequent trail companion, the obese and slothful Katz, a spacious target for Bryson’s sly wit, to moments of cruel and infantile laughs, as when he picks mercilessly on the witless woman who, admittedly, ruined a couple of their days. But for the most part the humor is bright sarcasm, flashing with drollery and intelligence, even when it’s a far yodel from political sensitivity. Then Bryson will take your breath away with a trenchant critique of the irredeemably vulgar vernacular strip that characterizes many American downtowns, or of other signs of decay he encounters off the trail (though the trail itself he comes to love).

“Walking is what we did,” Bryson states: 800-plus out of the 2,100-plus miles, and that good sliver is sheer comic travel entertainment.

Pub Date: May 4, 1998

ISBN: 0-7679-0251-3

Page Count: 288

Publisher: Broadway

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1998

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Analyzing his craft, a careful craftsman urges with Thoreauvian conviction that writers should simplify, simplify, simplify.

SEVERAL SHORT SENTENCES ABOUT WRITING

New York Times columnist and editorial board member delivers a slim book for aspiring writers, offering saws and sense, wisdom and waggery, biases and biting sarcasm.

Klinkenborg (Timothy; or, Notes of an Abject Reptile, 2006), who’s taught for decades, endeavors to keep things simple in his prose, and he urges other writers to do the same. (Note: He despises abuses of the word as, as he continually reminds readers.) In the early sections, the author ignores traditional paragraphing so that the text resembles a long free-verse poem. He urges readers to use short, clear sentences and to make sure each one is healthy before moving on; notes that it’s acceptable to start sentences with and and but; sees benefits in diagramming sentences; stresses that all writing is revision; periodically blasts the formulaic writing that many (most?) students learn in school; argues that knowing where you’re headed before you begin might be good for a vacation, but not for a piece of writing; and believes that writers must trust readers more, and trust themselves. Most of Klinkenborg’s advice is neither radical nor especially profound (“Turn to the poets. / Learn from them”), and the text suffers from a corrosive fallacy: that if his strategies work for him they will work for all. The final fifth of the text includes some passages from writers he admires (McPhee, Oates, Cheever) and some of his students’ awkward sentences, which he treats analytically but sometimes with a surprising sarcasm that veers near meanness. He includes examples of students’ dangling modifiers, malapropisms, errors of pronoun agreement, wordiness and other mistakes.

Analyzing his craft, a careful craftsman urges with Thoreauvian conviction that writers should simplify, simplify, simplify.

Pub Date: Aug. 7, 2012

ISBN: 978-0-307-26634-7

Page Count: 224

Publisher: Knopf

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: June 15, 2012

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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