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HAPPY FACE SAD FACE

ALL KINDS OF CHILD FACES!

Upbeat, zippy fun.

A collection of opposite pairings is presented through the facial expressions of a relatively diverse group of tots.

In five vignettes, each told in two double-page spreads, a youngster demonstrates a pair of opposites, such as “quiet” and “loud,” “asleep” and “awake.” A child with brown skin and two buoyant Afro-puff pigtails bouncing on a trampoline is paired with clever text that is metered out line by line over the next four pages: “Up face / Down face // Jumping all around face!” Some of the jokes are more for the grown-ups (“Nana needs a break face”), but little ones will appreciate the lively rhymes and the easy-to-read facial expressions. The antics end with all the families from the subsequent pages watching a marching band together; the text reads, “A big, happy crowd face!” The final lines, which read, “And my favorite face… // Your face!” are accompanied by a round, Mylar mirror embedded into the recto of the back cover. The companion book, Little Face Big Face, uses various animal visages to provide another primer on opposites. In both offerings, Cotter employs a vivacious mix of bright hues and highly saturated darker tones in his illustrations, likely pencil and watercolor.

Upbeat, zippy fun. (Board book. 6 mos.-3)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4926-4981-6

Page Count: 22

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Sept. 17, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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THIS BOOK IS ANTI-RACIST

20 LESSONS ON HOW TO WAKE UP, TAKE ACTION, AND DO THE WORK

Essential.

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A guidebook for taking action against racism.

The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.

Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)

Pub Date: Jan. 7, 2020

ISBN: 978-0-7112-4521-1

Page Count: 160

Publisher: Frances Lincoln

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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BIG APPLE DIARIES

An authentic and moving time capsule of middle school angst, trauma, and joy.

Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.

Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.

An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)

Pub Date: Aug. 17, 2021

ISBN: 978-1-250-77427-9

Page Count: 288

Publisher: Roaring Brook Press

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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