by Carmen T. Bernier-Grand ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: April 13, 2021
A sweet demonstration of how friendship can transcend language barriers.
Two groups of friends, one that speaks English, the other speaking Spanish, encounter each other at the park and learn to communicate through the language of play.
The two languages are reflected in a responsive dual text, though not an exact translation, that allows readers to engage with each group’s thinking and understanding. “We listen to the other kids, even though we don’t understand a word of Spanish. / Escuchamos a los tres niños, aunque no sabemos inglés.” The literal translations are: “Escuchamos a los otros niños, a pesar de no entender una palabra de español. / We listen to the three children, even though we don’t know English.” The two groups—both racially diverse—cautiously observe each other and then each begins to learn the other’s games until they are counting, jumping rope, dancing, singing, and playing together. The cheery art using scanned textures and bold colors highlights the activity, setting it in a city park in the shadow of numerous skyscrapers. The simple, dual text works well to establish the concept that these children have much in common. But the wording of the English title, We Laugh Alike, is awkward in comparison to the Spanish version, which translates as Together We Laugh and jibes better with the spirit of the story. Nevertheless, the children are alike in their eagerness to befriend one another and laugh together.
A sweet demonstration of how friendship can transcend language barriers. (glossary, author’s note) (Picture book. 4-7)Pub Date: April 13, 2021
ISBN: 978-1-62354-096-8
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
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