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FASHION CLIMBING

A MEMOIR WITH PHOTOGRAPHS

A lively tale of a life in style and a delightful homage to the days before women stopped wearing hats.

A posthumous memoir encapsulates the momentous life of an eccentric fashion icon.

Though he was known as the man who walked the streets of New York with a camera in hand, capturing the idiosyncratic fashion of the city’s citizens, Cunningham (1929-2016) grew up in a “middle-class Catholic home in a lace-curtain Irish suburb of Boston.” To the horror of his parents, fashion fascinated Cunningham—he would secretly put on his sister’s dresses—and he refused to give in to the expectations his family had with regard to what he should pursue, both personally and professionally. “I never go down the street or enter a room without automatically deciding what the woman should wear,” he writes. “It’s probably the reason for the heavy development of my eye toward fashion.” As a late teen, Cunningham left for New York, officially anchoring himself in the city that would become his life fuel. He started working as a hat maker, serving some of the city’s elite, and eventually opened up his own store. This was 1950s New York, when the love of haute couture and excess was praised above the opposing rising bohemian values. “Designing a fashion collection,” writes the author, “is like growing antennas that reach high into the unknown and hopefully higher than any other designer’s. It’s a long time growing them till inspiration begins to tickle and outrates that of your competitors. With each new collection my antennas grew longer, starting in 1948, and reaching their highest by 1960.” In addition to the charming narrative, the book features photographs of some of the author’s designs and social sphere, and he offers readers a reminder that characters like him still might roam NYC streets. Cunningham’s writing is authentic, irreverent, and quintessentially New York—even though he made numerous jaunts to foreign countries to visit the fashion capitals of the world.

A lively tale of a life in style and a delightful homage to the days before women stopped wearing hats.

Pub Date: Sept. 4, 2018

ISBN: 978-0-525-55870-5

Page Count: 256

Publisher: Penguin Press

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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FIVE DAYS IN NOVEMBER

Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.

Jackie Kennedy's secret service agent Hill and co-author McCubbin team up for a follow-up to Mrs. Kennedy and Me (2012) in this well-illustrated narrative of those five days 50 years ago when President John F. Kennedy was assassinated.

Since Hill was part of the secret service detail assigned to protect the president and his wife, his firsthand account of those days is unique. The chronological approach, beginning before the presidential party even left the nation's capital on Nov. 21, shows Kennedy promoting his “New Frontier” policy and how he was received by Texans in San Antonio, Houston and Fort Worth before his arrival in Dallas. A crowd of more than 8,000 greeted him in Houston, and thousands more waited until 11 p.m. to greet the president at his stop in Fort Worth. Photographs highlight the enthusiasm of those who came to the airports and the routes the motorcades followed on that first day. At the Houston Coliseum, Kennedy addressed the leaders who were building NASA for the planned moon landing he had initiated. Hostile ads and flyers circulated in Dallas, but the president and his wife stopped their motorcade to respond to schoolchildren who held up a banner asking the president to stop and shake their hands. Hill recounts how, after Lee Harvey Oswald fired his fatal shots, he jumped onto the back of the presidential limousine. He was present at Parkland Hospital, where the president was declared dead, and on the plane when Lyndon Johnson was sworn in. Hill also reports the funeral procession and the ceremony in Arlington National Cemetery. “[Kennedy] would have not wanted his legacy, fifty years later, to be a debate about the details of his death,” writes the author. “Rather, he would want people to focus on the values and ideals in which he so passionately believed.”

Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.

Pub Date: Nov. 19, 2013

ISBN: 978-1-4767-3149-0

Page Count: 256

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Sept. 20, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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GRATITUDE

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...

Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).

In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.

Pub Date: Nov. 24, 2015

ISBN: 978-0-451-49293-7

Page Count: 64

Publisher: Knopf

Review Posted Online: Oct. 31, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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