A heartbreaking bridge into depression supported by a strong foundation of hope.

THE BRIDGE

Multiple realities explore the butterfly effects of two attempted teen suicides.

Each of the narrative’s alternate timelines starts the same way: Aaron Boroff and Tillie Stanley meet by coincidence at the George Washington Bridge. Both contemplate leaping into the Hudson River to end their lives—“facing each other like they’re playing a deadly game of dare.” Aaron, a White gay boy with a Christian mom and a Jewish dad who dreams of viral internet success as a singer/songwriter, feels he is a failure both musically and romantically. Tillie, a fat, adopted, Korean girl, has had enough of feeling out of place in her White family and being bullied at school. From there, the four linear timelines (presented one after the other) diverge into four possible outcomes: only Tillie jumps, only Aaron jumps, they both jump, or neither jumps. No outcome is presented as the true story, leaving readers to come to their own conclusions. Drawing from personal experience, Konigsberg’s portrayal of depression is raw, honest, and nuanced. The deftly navigated third-person–omniscient narration powerfully evokes spiraling, obsessive thoughts and manic episodes. In addition to the focal teens’ inner monologues, secondary characters—from family members to classmates—are sharply drawn and complicated. Though some plot points only happen in certain timelines, the text’s careful construction hints that the best possible outcome is the teens’ survival.

A heartbreaking bridge into depression supported by a strong foundation of hope. (author’s note, resources) (Fiction. 14-18)

Pub Date: Sept. 1, 2020

ISBN: 978-1-338-32503-4

Page Count: 400

Publisher: Scholastic

Review Posted Online: June 25, 2020

Kirkus Reviews Issue: July 15, 2020

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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This gripping page-turner will keep readers guessing until the final twist.

SHE'S GONE

Seventeen-year-old Hunter Gifford has no memories of the car accident he was in the night of the homecoming dance with Chloe Summers, his now-missing girlfriend.

In the small southern Kentucky city of Bentley, comments on social media condemn Hunter as responsible for Chloe’s disappearance. When he attends the community vigil for her, Chloe’s mother publicly accuses Hunter of obstructing the investigation. Hunter’s own mom died when he was 15 and his sister, Olivia, was 12. Their dad has awkwardly attempted to pull his weight as a solo parent, and Hunter has stepped in and nurtured Livvy. Small but mighty Livvy is an ardent defender of her brother and is fiercely in love with her girlfriend, Gabriela. To make things worse, childhood friend Daniel informs Hunter that he’s making a true-crime documentary about Chloe. Hunter is upset, especially since it makes him look like a prime suspect, and a subsequent dramatic event draws more attention to the video. Hunter and Chloe met in creative writing club, and he knew she kept a journal—but it’s missing. Enter the sleuthing team of Hunter, Livvy, and Gabriela, who hatch a plan to find it. The dynamics between Hunter and Livvy and Livvy and Gabriela are endearing and will charm readers, who will root for them to solve the well-executed mystery. Main characters default to White; Gabriela is Mexican American.

This gripping page-turner will keep readers guessing until the final twist. (Thriller. 14-18)

Pub Date: Nov. 1, 2022

ISBN: 978-1-72825-420-3

Page Count: 360

Publisher: Sourcebooks Fire

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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