A penetrating study of five men and five women who provide ``images of excellence,'' both in and out of the spotlight. Many helped to break down barriers of prejudice: against race for Satchel Paige and Roberto Clemente; against women for Billie Jean King and jockey Julie Krone; against the disabled for skier Diana Golden. With sheer ability and force of personality, PelÇ and Muhammad Ali changed their sports in profound ways, but Littlefield praises Ali most warmly for his personal courage, in and out of the ring. With sharp analyses and unconventional insights (he quotes Joan Benoit Samuelson: ``Winning is neither everything nor the only thing. It is one of many things''), the author looks beyond simplistic public images to the real qualities behind success: ``finding a passion and working hard and believing in ourselves.'' Fuchs, known for his illustrations for Schroeder's Ragtime Tumpie (1989), supplies exuberant portraits in the same light-dappled, impressionistic style. A winner: eloquent, enlightening, and handsome. Reading list; index. (Biography. 11-14)
Pub Date: Sept. 1, 1993
ISBN: 0-316-52805-6
Page Count: 144
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
BOOK REVIEW
One of the great pitchers in baseball history (and one of the most outspoken and disagreeable), Gibson recalls his storied career with the capable help of Wheeler (I Had a Hammer, not reviewed) and shows he's not done being ``difficult.'' A ferocious competitor who made his living pitching high and tight, Gibson had a reputation throughout his 17 years with the St. Louis Cardinals for being just as uncompromising and angry off the field, especially concerning racial matters. Gibson was raised in an Omaha, Nebr., housing project, where his older brother was hero, mentor, and coach. After college, Gibson, who claims that he was better at basketball than baseball, signed a contract with both the Cardinals and the Harlem Globetrotters, playing one year for the latter. He calls his first professional baseball manager, Johnny Keane, ``the closest thing to a saint that I came across in baseball.'' When Keane replaced Solly Hemus (whom Gibson despised) in 1961, it turned the Cardinals', and Gibson's, fortunes around. Known for his extraordinary performances in the postseason, Gibson had a World Series record of 7-2, with a 1.89 ERA and an incredible 92 strikeouts over 81 innings. He won 20 games in five different seasons and in 1968 posted a 1.12 ERA in 305 innings. Gibson offers some fun and insightful recollections of big games, friends, and teammates such as Tim McCarver, Joe Torre, and Bob Uecker, and legendary matchups with Juan Marichal (``the best pitcher of my generation''), Sandy Koufax, and Don Drysdale. Despite his Hall of Fame credentials, Gibson claims he's been ostracized from the game and hasn't held a baseball job since 1984. Though he grouses a lot about being slighted by major league baseball and rehashes all-too-familiar racial difficulties, it is refreshing to get the fiery Gibson's take on the grand old game. (8 pages b&w photos, not seen) (First printing of 75,000; $75,000 ad/promo; author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-670-84794-1
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
BOOK REVIEW
paper 0-8225-9684-9 Late bloomers will take heart in this tale of a classic underachiever who went on to make popular, record-breaking films. Lucas, the creator of the Star Wars series and other movies, just barely graduated from high school. As a youth, he dreamed of becoming a race car driver, but after being badly injured in a collision he began “filming cars instead of racing them.” Following a stint at the University of South California’s film school, Lucas, in his various capacities as writer, producer and director, piled up the series of successes for which he is known, and changed “the film industry by uniting entertainment, business and technology” in the process. The section on how Lucas got the ideas for Star Wars, and its subsequent incarnations—e.g., the first two drafts never mentioned “the Force,”—will fascinate fans and casual movie-goers alike. White is admiring, characterizing Lucas variously and vaguely as “complicated,” “intriguing,” “intelligent,” “humble,” and “intensely private.” That Lucas is driven is clear, but readers will close the book—which ends before the opening of The Phantom Menace in the spring of 1999—knowing more about his career than his soul. (photos, notes, bibliography, index) (Biography. 12-14)
Pub Date: Nov. 2, 1999
ISBN: 0-8225-4975-1
Page Count: 128
Publisher: Lerner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
BOOK REVIEW
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