Loehfelm doesn't need showy murders or gory scenes to writes crime stories with grit that stay lodged in your brain and get...
A rookie New Orleans cop discovers that regular rules don't apply during Mardi Gras, when a shooting sets off a cascading series of violent events.
Officer Maureen Coughlin knows working the parade route during Mardi Gras week is unlike any assignment she’s had, and as the only newbie to the city’s biggest party, she wants to make a good impression not only on her fellow officers, but on the public. Loehfelm (Let the Devil Out, 2016, etc.) simmers the various tensions—racial, police versus civilians, power struggles with the NOPD—like the finest of cooks stirring a pot of gumbo with a bomb in it. The first sign of trouble appears when a young man, high and dressed only in neon leggings, runs directly into an SUV. When Coughlin and her team try to ascertain what he's tripping on, their attention is diverted by the sounds of nearby shots. Reaching the scene, they find carnage: a man bleeding out in the street, a little girl hit in the leg, and an elderly woman drenched in blood on the curb. Making matters worse, there's an omnipresent camera crew, a bunch of YouTube documentarians trying to capture the “real” Mardi Gras. Once a suspect is identified and Coughlin takes off after him, the true mayhem begins, when she realizes the person she proudly apprehends is a known offender but an easy arrest is complicated by an unexpected death on the parade route, in-fighting within the department, and a crowd that's as ready to party as it is to beef with police.
Loehfelm doesn't need showy murders or gory scenes to writes crime stories with grit that stay lodged in your brain and get under your skin in the best possible way.Pub Date: July 11, 2017
ISBN: 978-0-374-27977-6
Page Count: 272
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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