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THE BRITTLE RIDERS

Densely packed, SF-tinged high fantasy that mildly satirizes the genre.

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In McCormick’s fantasy/SF novel, a lone mystic gathers allies to defeat the hordes of a sadistic warlord on a fantastical future Earth.

In the far-flung future, Earth is now called Arreti. The humans (referred to as “makers”) are gone, replaced by their final creations. Following a tragi-comical contact with aliens (“Sominids”), who were friendly but refused to share any of their technology or wisdom, mankind slipped into an existential funk. Scientific genius Edward Rohta countered with the implementation of “brands,” genetically modified, intelligent beings (typically blended with animal DNA) who took over roles such as laborers, warriors, sex workers, and spies from the indolent Homo sapiens. Brands were not meant to live long or reproduce, but these fail-safes…failed. Now the makers are gone, killed by particularly hostile brands. The North American Midwest has become a patchwork of bizarre beast-clans, fauna fiefdoms, goblin-esque guilds, and other motley creatures. Tyrant warlord Xhaknar, created to be a GMO “super soldier,” conquers and subjugates the plains with his hordes, guided by his cruel programming. He is opposed by Geldish, a rare “wizard” whose brand was granted powers of levitation and psychic cognition for use in mining ops. Geldish gathers representatives of other “fringe” races (including the seductive Succubus and the equine Llamia) under the banner of the “Brittle Riders.” Xhaknar is mostly amused by the feeble resistance effort—but Geldish has a secret plan. Readers who can hack pathways through the eye-glazing terminology and jargon (“Geldish and BraarB looked at the eight dead, dismembered Naradhama and smiled. Just then, two haven-lords appeared from the shadows”) will be rewarded with a densely populated high fantasy yarn that casts a gimlet eye on the genre’s tropes and excesses. While the title suggests a sequel, this saga installment works fine as a standalone.

Densely packed, SF-tinged high fantasy that mildly satirizes the genre.

Pub Date: Sept. 18, 2016

ISBN: 9781945987045

Page Count: 394

Publisher: Azoth Khem Publishing

Review Posted Online: Aug. 21, 2023

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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