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CITY ON FIRE

THE FORGOTTEN STORY OF A DISASTER THAT DESTROYED A TOWN AND THE LANDMARK LEGAL BATTLE THAT ENSUED

An ugly but necessary meditation on our checkered military-industrial history.

Texas-based journalist and Bush family biographer Minutaglio (First Son, 1999, etc.) grimly describes a horrifying disaster that revealed grave negligence in the post-WWII manufacturing sector.

Based on 200 interviews with survivors, shrewdly focused on a group of key figures, Minutaglio’s account provides a highly personalized portrait of the tragedy that struck Texas City, Texas, in 1947. With ominous verisimilitude, he portrays a deeply segregated boomtown beholden to the companies whose factories created high employment, in return for which they received much municipal largesse. In 1947, Texas City’s youthful war-hero mayor and a firebrand priest were collaborating on unheard-of social changes, levying taxes on Monsanto, Union Carbide, Amoco, and other corporations, improving conditions for the African-American and Hispanic laborers crowded into “The Bottom” near the putrid waterfront and chemical plants. That spring, the US government began shipping ammonium nitrate fertilizer to Europe through Texas City without alerting locals to the danger of explosion that had caused neighboring ports to ban the substance. On April 16 a fire in the French-crewed ship Grandcamp grew uncontrollably; its colorful smoke drew many observers to the waterfront, where they died by the hundreds when 51,000 bags of ammonium nitrate (unmarked as hazardous) exploded at 9:12 a.m. This caused a tidal wave, sprayed steel shrapnel across the town, and set off numerous secondary explosions of fuel and chemical tanks. The Monsanto plant became an inferno, and that night a second fertilizer-laden ship exploded. The city’s inadequate public services (it didn’t even have a fireboat) were no match for the emergency. Imaginatively using the multiple perspectives to depict the tragedy and its devastating aftermath, Minutaglio conveys a punchy, noir-ish sense of the period. His conclusion is ambiguously uplifting. The survivors’ class-action suit against the government, initially championed by an ultra-conservative judge, was delayed for years in appellate court. Finally, in 1955, special legislation granted them limited relief.

An ugly but necessary meditation on our checkered military-industrial history.

Pub Date: Jan. 10, 2003

ISBN: 0-06-018541-4

Page Count: 304

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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