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OVER 1,000 BEATINGS, SPIRITUAL SANITY AND THE REJECTION OF EVIL

A difficult but often captivating look at the legacy of abuse.

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Neely’s debut memoir explores his traumatic childhood and its impact on his spiritual life as an adult. 

The author writes that he was the victim of daily, systematic violence between the ages of 4 and 18. At the hands of his 6-foot, 220-pound father, he says, he would suffer innumerable blows, insults, and other psychological abuse. By middle school, he’d come to recognize that “Dinnertime was the most dangerous time of the day” and that it could explode at any minute into violence. Neely alternates between memories of brutal childhood incidents in Pittsburgh in the late 1950s and early ’60s and moments from his aimless, troubled adulthood. After escaping the torment of his home life, he drifted around the country, joined the U.S. Marines in 1974, and later worked odd jobs, struggled with alcohol, and sometimes found himself homeless or in psychiatric institutes; he notes that he may have undiagnosed mental illnesses in addition to a confirmed dissociative disorder. With the help of Alcoholics Anonymous, Neely came to see himself as a detective trying to solve the mystery of his spiritual life, specifically examining “a sacred unknown” that he says has guided him through his turbulent upbringing and the dark depths of addiction. Throughout, he maintains that his father was a pure incarnation of evil, and as he calmly leads readers through his horrifying memories, he convincingly portrays that parent as a monster. Interjections from the author’s current perspective, however, are often bogged down by overly vague spirituality; for example, there are many repetitive, opaque references to “inner truth” and “deeper realms of thought.” When Neely narrates specific moments from his adulthood, though, he taps into some truly compelling and complex reflections, as when he tells of his identification with gay AA-meeting attendees’ stories of abuse, which he calls “inspirational in as profound a way as I thought possible.” His short stories about other abuse survivors he’s known close out his unusual and powerful work. 

A difficult but often captivating look at the legacy of abuse.

Pub Date: Sept. 6, 2019

ISBN: 978-1-977217-13-4

Page Count: 220

Publisher: Outskirts Press

Review Posted Online: Jan. 8, 2020

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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