A man who misses the 1950s shakes his fist at the uncomprehending sky.
A former talking head speaks out on the good old days and the bad new ones.
What ails the republic? A cowardly Congress? A rubber-stamping Supreme Court? Inflation? No. What ails the republic, by O’Reilly’s account, is tattoos. Well, tattoos and a whole bunch of other newfangled things. But yes, tattoos: “A neck tattoo is not going to stimulate higher wages unless you are motivated to work in a strip club,” he observes. He later adds, “Showing up for a job interview looking like a Hells Angel is not going to advance your cause in most places. Americans need to think about self-respect.” Millions in America sport tattoos these days, but, no matter—he’s got other complaints to lodge. For one, he writes, “if you smoke cigarettes in this country, you negatively stand out.…But inhale pot and somehow you’re cool.” He may not have gotten the memo about widespread legalization, but he takes a minute to blame that slide into cultural depravity on Snoop Dogg and Willie Nelson. George Soros and Joe Biden want to trash the country. On Soros, he writes, “the guy despises traditional America and wants to destroy it.” Nancy Pelosi, he says, is “fanatically left-wing.” Zohran Mamdani is a “Communist,” and, on top of that, young people aren’t interested in hard work. Artificial intelligence is bad, Intelligent Design good. There’s more: “In the age of ‘woke,’ if you mock someone, especially a minority person, you will be accused of dastardly behavior.” Black communities are troubled because they don’t have dads, and “‘hip-hop’ culture is toxic.” And so forth.
A man who misses the 1950s shakes his fist at the uncomprehending sky.Pub Date: Sept. 15, 2026
ISBN: 9781250374073
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
