WALT DISNEY

DRAWN FROM IMAGINATION

A squeaky-clean biography of the original Mouseketeer.

Scollon begins with the (to say the least) arguable claim that Disney grew up to “define and shape what would come to be known as the American Century.” Following this, he retraces Disney’s life and career, characterizing him as a visionary whose only real setbacks came from excess ambition or at the hands of unscrupulous film distributors. Disney’s brother Roy appears repeatedly to switch between roles as encourager and lead doubter, but except in chapters covering his childhood, the rest of his family only puts in occasional cameos. Unsurprisingly, there is no mention of Disney’s post–World War II redbaiting, and his most controversial film, Song of the South, gets only a single reference (and that with a positive slant). More puzzling is the absence of Mary Poppins from the tally of Disney triumphs. Still, readers will come away with a good general picture of the filmmaking and animation techniques that Disney pioneered, as well as a highlight history of his studio, television work and amusement parks. Discussion questions are appended: “What do you think were Walt Disney’s greatest accomplishments and why?” Brown’s illustrations not seen. An iconic success story that has often been told before but rarely so one-dimensionally or with such firm adherence to the company line. (bibliography) (Biography. 8-10)

 

Pub Date: July 15, 2014

ISBN: 978-1-4231-9647-1

Page Count: 144

Publisher: Disney Press

Review Posted Online: May 4, 2014

Kirkus Reviews Issue: May 15, 2014

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Inspirational but occasionally unclear.

JUST LIKE ME

Gooding's debut profiles 40 famous people with disabilities.

The author, a mother of children with disabilities, opens the book with a note about her desire to find role models for her children. To that end, she alphabetically introduces racially diverse disabled people from around the world and throughout history. Diagnoses range from autism to limb difference. Historical figures include Japanese peace advocate Sadako Sasaki, who developed leukemia after the bombing of Hiroshima, and American abolitionist Harriet Tubman, who led fellow slaves to freedom despite epilepsy. Contemporary figures include athletes, authors, and entertainers: Polio survivor and Paralympian Malathi Krishnamurthy-Holla remains "one of the fastest female Indian athletes in a wheelchair"; Japanese nonverbal author Naoki Higashida penned popular books describing autism; English actor Daniel Radcliffe deals with dyspraxia, a coordination disorder; and Australian Madeline Stuart is the first professional model with Down syndrome. Each profile begins with an uplifting quote and concludes with a sidebar explaining the subject’s disability. Unfortunately, some sidebars emphasize colloquial over scientific terms. For instance, Stephen Hawking’s disability is named eponymously (Lou Gehrig's disease), “also known as ALS,” instead of with its scientific name, amyotrophic lateral sclerosis. Occasionally, vague phrasing creates confusion, such as when the author writes that a speech-generating device enabled Hawking to communicate by using a “touchpad.” (A hand clicker became his primary input method.) Various illustrators’ realistic renditions of smiling subjects complement the upbeat (albeit somewhat dry) text.

Inspirational but occasionally unclear. (glossary, quote sources) (Collective biography. 8-10)

Pub Date: Nov. 1, 2021

ISBN: 978-1-78741-848-6

Page Count: 96

Publisher: Bonnier/Trafalgar

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the...

MARCEL MARCEAU

MASTER OF MIME

The legendary mime is introduced to a new generation, though not entirely successfully.

As a child, Marceau loved to silently entertain his friends, like his idol, Charlie Chaplin. During the Nazi occupation of France, Marcel and his brother took on new identities in the French Underground, where they forged documents for Jewish children and helped many to escape to Switzerland. Spielman assumes that her young audience will understand references to deportation and concentration camps; unfortunately for those that don't, her matter-of-fact tone speaks more of adventure than deadly peril. Her tone subtly changes when she lovingly describes Marceau’s training and development as a mime and his stage persona of Bip the clown, admiring his skills in the “art of silence” that won him international renown. But here too, comparisons to the Little Tramp and Pierrot may be outside readers’ frame of reference. Though the illustrations carefully complement the textual content with period details, Gauthier’s cartoon faces are all nearly identical, with only the screen image of Chaplin and Marceau’s Bip having distinctive features. A double-page spread at the conclusion provides photographs of Bip in action and is the only clear indication of Marceau’s stagecraft.

At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the book looks elsewhere. (Picture book/biography. 8-10)

Pub Date: Sept. 1, 2011

ISBN: 978-0-7613-3961-8

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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