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THINNER SKIN

An earnest, candid portrayal of a woman who learns just as much about herself as she does of others.

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In Diersen’s (Unmatched, 2012) drama, a Marine wife’s animosity toward an insolent, chauvinistic sergeant is matched only by her growing fondness for the man’s fiancee.

Jackie’s husband, Sgt. Kevin Thompson, introduces her to Katrine, soon to be part of the Marine Corps family via her marriage to Sgt. Rob Copeland. Right away, Jackie doesn’t like Rob; at a party, he humiliates Katrine for not wanting to play a board game and initiates unwanted physical contact with Jackie. Her liberal views are constantly at odds with Rob’s conservatism, yet her relationship with Katrine flourishes, and soon the new acquaintances are much more than mere friends. It’s only a matter of time before possessive Rob learns that the women have become lovers, and because a prologue teases that someone’s been killed, things aren’t likely to turn out well. Diersen’s novel features a complex protagonist who’s reticent and standoffish, but she’s actually pushing people away for reasons that are eventually revealed to both herself and readers. Despite her self-described “defective filter,” the opinionated Jackie isn’t especially offensive in any of her stances. She’s also quite charming: For Halloween, she dresses as an amnesiac and, in response to Kevin’s question of what they should call her, wryly says, “That’s a good question.” Jackie engages in numerous political discussions throughout the story, but the ones with Rob are eventually redundant, simply confirming what’s already been well established—that he’s sexist and insulting. The book tackles several serious issues, including abusive relationships (even if the abuse isn’t always physical) and neglectful parents. But Diersen keeps the story light with dark humor, most notably an abundance of jokes about murder, like Jackie telling her friend Lyn that she doesn’t want to see Rob dead but would prefer it over seeing him alive. Jackie does seem to be testing her marriage in the story, but her scenes with Kevin are some of the book’s best; the couple’s ebullient banter, even when talking about the volatile Rob, is irresistible fun.

An earnest, candid portrayal of a woman who learns just as much about herself as she does of others.

Pub Date: July 11, 2014

ISBN: 978-0692201138

Page Count: 450

Publisher: Blue Gentian Books

Review Posted Online: Oct. 9, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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