Tighter construction might have added more punch to the poetry, but teens will identify with the quest for identity and...

VANILLA

Falling in love was the easy part for Hunter and Vanilla…staying together’s the challenge.

“You two have been married / since the seventh grade,” says their in-your-face queer classmate Clown. Hunter and Vanilla progressed slowly from being friends to being a couple, and now, at 17, everyone thinks of the two white boys as inseparable. Clown and another aggressively gay classmate regularly throw sexually charged, all-male parties for The Gang. The boys don’t usually attend though Hunter seems to want to. He’s ready to take their relationship beyond kissing and petting; Vanilla is not. Merrell’s debut novel for young adults explores the rocky relationship of the duo in minute emotional detail from both boys’ perspectives as well as from the outside through Clown’s eyes—which gives readers a more nuanced view of gender-fluid Clown as well. Different typefaces indicate the point-of-view character for each free-verse poem as they remember the early days of their relationship and coming out and as they fumble through first romance and new sexual-identity issues. The verse is at times beautiful, touching, and though-provoking but at other times feels merely like prose broken into short lines. It presents a mature and frank (though not explicit) picture of a relationship struggling to survive.

Tighter construction might have added more punch to the poetry, but teens will identify with the quest for identity and ground in that most groundless of times. (Verse fiction. 14-18)

Pub Date: Oct. 10, 2017

ISBN: 978-1-338-10092-1

Page Count: 320

Publisher: PUSH/Scholastic

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Black is building a complex mythology; now is a great time to tune in.

THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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