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ROBOT'S FIRST SNOW

A satisfying wintry story about the delights of curiosity, connection, and play.

Automatons working in a factory learn the importance of taking a break to have fun.

Our intrepid hero, a tiny robot with a domed head, spindly arms and legs, and a light on top, finishes work for the day and looks longingly at the stars. The other robots—the Multibots and the Vacuumbot—are still busy clanging away at their tasks. The next morning, an unknown substance has fallen from the sky. “Robot, Robot, wake and stare. / What is falling through the air? / Beep, beep. Whirr… / Detected: SNOW. // What’s it like? / You do not know.” The tiny robot cautiously steps outside and begins to play, instinctively knowing how to throw snowballs and make a snowbot. In the distance, a family of pale-skinned humans are having a good time. Can our hero get the other bots in the factory to join in on the fun? They are programmed to help humans, after all. Some may find the melding of artificial intelligence into family life a bit disconcerting, given recent headlines about the threat of AI, but watching these humans and bots build a joyous snow slide together is truly heartwarming. Images of silver-colored machinery and short staccato text make for an enchanting tale.

A satisfying wintry story about the delights of curiosity, connection, and play. (Picture book. 3-6)

Pub Date: Oct. 7, 2025

ISBN: 9781728279992

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 19, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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