Offers young readers a cheerful introduction to autumn and models observation, optimism, and resilience in the face of...
A routine-loving young calf reluctantly learns to embrace change in this Tractor Mac installment.
Anthropomorphic Tractor Mac and his animal friends at Stony Meadow Farm are observing the seasonal shift from summer to autumn when they realize that one of their number is struggling with the transition: Fergus the calf has never experienced autumn, and he “does not like change.” The animals and Tractor Mac demonstrate familiarity with the why and not just the what of farm operations—as participants in the cyclical patterns dictated by the changing seasons, they gladly articulate to Fergus how the changes benefit the farm. The endpapers feature clearly labeled diagrams of Tractor Mac as well as his new mounted corn picker, which will delight readers interested in vehicles and machinery. Steers’ realistic watercolor-and-ink illustrations establish Stony Meadow and its expressive animal occupants in the foreground in warm shades of yellow, orange, and red while the white farmer couple appears most frequently in the background. When other humans are pictured, as at the Pumpkin Picking Festival, they are overwhelmingly white with just a few exceptions. The book’s lack of ethnic diversity, coupled with historically ambiguous depictions of vehicles and attire, suggests the story is set in the American rural northeast sometime around the middle of the 20th century.
Offers young readers a cheerful introduction to autumn and models observation, optimism, and resilience in the face of unexpected change. (Picture book. 4-8)Pub Date: Aug. 20, 2019
ISBN: 978-0-374-30920-6
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow.
The future is now…and it’s exceedingly silly.
“This book is from the future.” What are things like there? Barnett enlightens readers: “The sun is called the moon and the moon is called the sun.” Readers learn that apples no longer exist (Barnett doesn’t explain why), that lots of people are named “Charlie Cheese Face” (“There’s an interesting reason why, but we don’t have time for that story”), and that instead of “goodbye,” people now say, “You smell like a baby!” The work closes with a ridiculous conversation between two characters who somehow manage to work in most of the new terms. This tale’s raison d’être seems to be coming up with the goofiest alternatives to normal day-to-day terms and interactions. Barnett gets seriously silly as he thinks up gags ideal for reading aloud at storytime. As for Harris’ art, aside from the occasional cool pair of sunglasses or hair dye, the future feels pretty early-21st-century; his colorful ink and gouache illustrations are rife with visual gags. Futuristic terms look as if they were printed on a label maker. Human characters vary in skin tone.
It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9798217033171
Page Count: 40
Publisher: Knopf
Review Posted Online: Nov. 8, 2025
Kirkus Reviews Issue: Dec. 15, 2025
BOOK REVIEW
BOOK REVIEW
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