The story of Frances Dean’s artistic journey from shrinking violet to exuberant dancer is sensitively told in a way that...

FRANCES DEAN WHO LOVED TO DANCE AND DANCE

Similar to Oliver, the protagonist of Sif’s eponymous debut picture book (2012), the titular character of this story, Frances Dean, feels herself to be different from others and must find a way to express her desire to dance in the light of potential disapproval from other people.

When she is alone, or in the company of only the wind and the birds, her creativity knows no bounds. As soon as there are people around, she feels inhibited and loses her impulse to dance. Her constant companions, the birds, lead her to another, younger girl, who sings beautifully in public without inhibition. Inspired by this example, Frances gains the courage to dance interactively with others––first with her cat, then with the neighbor’s dog, then with the old lady in the square. The singing girl asks Frances to teach her to dance. Finally she is dancing happily in the park, surrounded by her newfound audience. Sif’s illustrative style places whimsical, cartoonlike figures in dreamy bucolic backgrounds painted in a muted palette of ochre and olive, peopled with figures and animals in a landscape inspired by Scandinavian folk tales.

The story of Frances Dean’s artistic journey from shrinking violet to exuberant dancer is sensitively told in a way that will give courage to other children who have felt shy about expressing themselves artistically. (Picture book. 2-5)

Pub Date: Aug. 1, 2014

ISBN: 978-0-7636-7306-2

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 25, 2014

Kirkus Reviews Issue: July 15, 2014

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It’s a bit hard to dance, or count, to this beat.

ONE MORE DINO ON THE FLOOR

Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.

Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.

It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-0-8075-1598-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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Little fingers will enjoy making this book dance, and their bodies may not be far behind.

DANCE

Using his signature supersturdy pull-tabs to animate the scenes, Van Fleet concocts a crowd pleaser about a baby chick learning to dance.

At the dance hall, a newly hatched chick, dubbed “Chickie Baby,” is taught to shake by hippopotamuses, to hop by bunnies, and more. The rhyming text is playfully repetitive and rhythmic, employing some clever wordplay: “Cool, Chickie Baby, now you’re great and gettin’ greater! / Now swing both your arms and do the Gator Mashed Potater!” Here an alligator teaches Chickie Baby a fist-pumping arm motion (not actually the 1960s mashed potato dance), activated by the pull-tab on the right of the page. There are times when the text’s phrases miss the meter and the refrain after Chickie Baby learns a step (“You can dance!”) doesn’t quite flow. The final double-page spread shows Chickie Baby showing off all of his moves, and his friends offer a curtain call in the form of a gatefold pop-up. But the star here, for any toddler or preschooler, will be the extra-large pull-tabs. From the “Busy Beaver Bop” to the “Crazy Piggy Tap,” these tabs demand to be pulled repeatedly—and they can take it. A thick, clear piece of plastic acts as protection for the parts, making this series the sturdiest movable books available.

Little fingers will enjoy making this book dance, and their bodies may not be far behind. (Pop-up board book. 2-5)

Pub Date: Feb. 14, 2017

ISBN: 978-1-4814-8707-8

Page Count: 16

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: May 24, 2017

Kirkus Reviews Issue: July 1, 2017

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